The work of Jean Renoir like translation of the impresionist postulates to the cinematographic language

The work of Jean Renoir like translation of the impresionist postulates to the cinematographic language

<p>This paper examines the application of the techniques of impressionism to the cinematographic work of Jean Renoir. It is not just a question of influence of the parent-child relationship between the author and his father, Jean Renoir has a premeditated intention to translate the impressioni...

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Main Authors: José Roberto Vila Oblitas, Vanesa Francisca Guzmán Parra
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2013-01-01
Series:Arte, Individuo y Sociedad
Subjects:
Cine
Pintura
Jean Renoir
Online Access:http://revistas.ucm.es/index.php/ARIS/article/view/41162
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spelling doaj-2b37745b6613486d86d2a458986031ce2020-11-24T23:59:32ZengUniversidad Complutense de MadridArte, Individuo y Sociedad1131-55981988-24082013-01-01251314210.5209/rev_ARIS.2013.v25.n1.4116240442The work of Jean Renoir like translation of the impresionist postulates to the cinematographic languageJosé Roberto Vila Oblitas0Vanesa Francisca Guzmán Parra1Universidad de MálagaUniversidad de Málaga<p>This paper examines the application of the techniques of impressionism to the cinematographic work of Jean Renoir. It is not just a question of influence of the parent-child relationship between the author and his father, Jean Renoir has a premeditated intention to translate the impressionism techniques to the movies.</p><p>The research is based on the analysis of the cinematographic work of Jean Renoir, with special reference to <em>Une partie de campagne</em> (1936).</p>http://revistas.ucm.es/index.php/ARIS/article/view/41162CinePinturaJean Renoir
collection DOAJ
language English
format Article
sources DOAJ
author José Roberto Vila Oblitas
Vanesa Francisca Guzmán Parra
spellingShingle José Roberto Vila Oblitas
Vanesa Francisca Guzmán Parra
The work of Jean Renoir like translation of the impresionist postulates to the cinematographic language
Arte, Individuo y Sociedad
Cine
Pintura
Jean Renoir
author_facet José Roberto Vila Oblitas
Vanesa Francisca Guzmán Parra
author_sort José Roberto Vila Oblitas
title The work of Jean Renoir like translation of the impresionist postulates to the cinematographic language
title_short The work of Jean Renoir like translation of the impresionist postulates to the cinematographic language
title_full The work of Jean Renoir like translation of the impresionist postulates to the cinematographic language
title_fullStr The work of Jean Renoir like translation of the impresionist postulates to the cinematographic language
title_full_unstemmed The work of Jean Renoir like translation of the impresionist postulates to the cinematographic language
title_sort work of jean renoir like translation of the impresionist postulates to the cinematographic language
publisher Universidad Complutense de Madrid
series Arte, Individuo y Sociedad
issn 1131-5598
1988-2408
publishDate 2013-01-01
description <p>This paper examines the application of the techniques of impressionism to the cinematographic work of Jean Renoir. It is not just a question of influence of the parent-child relationship between the author and his father, Jean Renoir has a premeditated intention to translate the impressionism techniques to the movies.</p><p>The research is based on the analysis of the cinematographic work of Jean Renoir, with special reference to <em>Une partie de campagne</em> (1936).</p>
topic Cine
Pintura
Jean Renoir
url http://revistas.ucm.es/index.php/ARIS/article/view/41162
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