La majestad de los sentidos. Teatro, imágenes y performance en la corte de Carlos II
By using the English concept of performativity, this article defends that culture in seventeenth-century Spain cannot be analyzed nor understood if it is mutilated both from its spatio-temporal dimension and from its sensory context. Three specific examples created during the reign of Charles II (16...
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| Format: | Article |
| Language: | Spanish |
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Presses universitaires du Mirail
2020-12-01
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| Series: | Criticón |
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| Online Access: | http://journals.openedition.org/criticon/18006 |
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doaj-2cb4bbf7022446658bb840946a7f9ed4 |
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Article |
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doaj-2cb4bbf7022446658bb840946a7f9ed42021-04-08T15:30:21ZspaPresses universitaires du MirailCriticón0247-381X2272-98522020-12-0114016121510.4000/criticon.18006La majestad de los sentidos. Teatro, imágenes y performance en la corte de Carlos IIPablo Vázquez GestalBy using the English concept of performativity, this article defends that culture in seventeenth-century Spain cannot be analyzed nor understood if it is mutilated both from its spatio-temporal dimension and from its sensory context. Three specific examples created during the reign of Charles II (1661-1700) will be studied: a piece of court theater, a religious ceremony and a fresco painting. They will help us understand how the five senses were part of a cultural performativity aimed to deliver effective and efficient sociopolitical messages.http://journals.openedition.org/criticon/18006Charles II of Spaincourt cultureSpainperformanceemotionssenses |
| collection |
DOAJ |
| language |
Spanish |
| format |
Article |
| sources |
DOAJ |
| author |
Pablo Vázquez Gestal |
| spellingShingle |
Pablo Vázquez Gestal La majestad de los sentidos. Teatro, imágenes y performance en la corte de Carlos II Criticón Charles II of Spain court culture Spain performance emotions senses |
| author_facet |
Pablo Vázquez Gestal |
| author_sort |
Pablo Vázquez Gestal |
| title |
La majestad de los sentidos. Teatro, imágenes y performance en la corte de Carlos II |
| title_short |
La majestad de los sentidos. Teatro, imágenes y performance en la corte de Carlos II |
| title_full |
La majestad de los sentidos. Teatro, imágenes y performance en la corte de Carlos II |
| title_fullStr |
La majestad de los sentidos. Teatro, imágenes y performance en la corte de Carlos II |
| title_full_unstemmed |
La majestad de los sentidos. Teatro, imágenes y performance en la corte de Carlos II |
| title_sort |
la majestad de los sentidos. teatro, imágenes y performance en la corte de carlos ii |
| publisher |
Presses universitaires du Mirail |
| series |
Criticón |
| issn |
0247-381X 2272-9852 |
| publishDate |
2020-12-01 |
| description |
By using the English concept of performativity, this article defends that culture in seventeenth-century Spain cannot be analyzed nor understood if it is mutilated both from its spatio-temporal dimension and from its sensory context. Three specific examples created during the reign of Charles II (1661-1700) will be studied: a piece of court theater, a religious ceremony and a fresco painting. They will help us understand how the five senses were part of a cultural performativity aimed to deliver effective and efficient sociopolitical messages. |
| topic |
Charles II of Spain court culture Spain performance emotions senses |
| url |
http://journals.openedition.org/criticon/18006 |
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AT pablovazquezgestal lamajestaddelossentidosteatroimagenesyperformanceenlacortedecarlosii |
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1721534266519584768 |