THE FALL MOTIF IN THE REVENGE TRAGEDY OF T. MIDDLETON AND W. ROWLEY “THE CHANGELING”

The article is devoted to the reviewing of the Fall motif (as exemplified in the main female character) involved in the Renaissance revenge tragedy of T. Middleton and W. Rowley “The Changeling” (1622). The paper identified the key scenes of the drama to help understand the multidimensional and allu...

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Main Author: S Yu Budekhin
Format: Article
Language:English
Published: Peoples’ Friendship University of Russia (RUDN University) 2016-12-01
Series:RUDN Journal of Studies in Literature and Journalism
Subjects:
Online Access:http://journals.rudn.ru/literary-criticism/article/view/13376
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spelling doaj-2e4cf14ddb924e5b93756efb5367da9a2020-11-25T02:31:01ZengPeoples’ Friendship University of Russia (RUDN University)RUDN Journal of Studies in Literature and Journalism2312-92202312-92472016-12-010211011813375THE FALL MOTIF IN THE REVENGE TRAGEDY OF T. MIDDLETON AND W. ROWLEY “THE CHANGELING”S Yu Budekhin0Российский университет дружбы народовThe article is devoted to the reviewing of the Fall motif (as exemplified in the main female character) involved in the Renaissance revenge tragedy of T. Middleton and W. Rowley “The Changeling” (1622). The paper identified the key scenes of the drama to help understand the multidimensional and allusive way of the protagonist.The author identifies a number of metamorphoses in the character of Beatrice-Joanna and analyzes the stages of the heroine’s moral decay in the context of her relationships with the other characters of the play. The author also provides the examples of using literary device of the deception of audience’s expectations. There are some chosen scenes from the text of the drama in the article, which are helping to uncover the motifs of duality and changeling, associated with the character of the main heroine. The system of the characters of T. Middleton and W.Rowley play considered in the context of the most important works of Elizabethan drama.http://journals.rudn.ru/literary-criticism/article/view/13376ренессансная кровавая драма местимотив грехопадениямотив оборотничествааллюзивность образовПетраркизм
collection DOAJ
language English
format Article
sources DOAJ
author S Yu Budekhin
spellingShingle S Yu Budekhin
THE FALL MOTIF IN THE REVENGE TRAGEDY OF T. MIDDLETON AND W. ROWLEY “THE CHANGELING”
RUDN Journal of Studies in Literature and Journalism
ренессансная кровавая драма мести
мотив грехопадения
мотив оборотничества
аллюзивность образов
Петраркизм
author_facet S Yu Budekhin
author_sort S Yu Budekhin
title THE FALL MOTIF IN THE REVENGE TRAGEDY OF T. MIDDLETON AND W. ROWLEY “THE CHANGELING”
title_short THE FALL MOTIF IN THE REVENGE TRAGEDY OF T. MIDDLETON AND W. ROWLEY “THE CHANGELING”
title_full THE FALL MOTIF IN THE REVENGE TRAGEDY OF T. MIDDLETON AND W. ROWLEY “THE CHANGELING”
title_fullStr THE FALL MOTIF IN THE REVENGE TRAGEDY OF T. MIDDLETON AND W. ROWLEY “THE CHANGELING”
title_full_unstemmed THE FALL MOTIF IN THE REVENGE TRAGEDY OF T. MIDDLETON AND W. ROWLEY “THE CHANGELING”
title_sort fall motif in the revenge tragedy of t. middleton and w. rowley “the changeling”
publisher Peoples’ Friendship University of Russia (RUDN University)
series RUDN Journal of Studies in Literature and Journalism
issn 2312-9220
2312-9247
publishDate 2016-12-01
description The article is devoted to the reviewing of the Fall motif (as exemplified in the main female character) involved in the Renaissance revenge tragedy of T. Middleton and W. Rowley “The Changeling” (1622). The paper identified the key scenes of the drama to help understand the multidimensional and allusive way of the protagonist.The author identifies a number of metamorphoses in the character of Beatrice-Joanna and analyzes the stages of the heroine’s moral decay in the context of her relationships with the other characters of the play. The author also provides the examples of using literary device of the deception of audience’s expectations. There are some chosen scenes from the text of the drama in the article, which are helping to uncover the motifs of duality and changeling, associated with the character of the main heroine. The system of the characters of T. Middleton and W.Rowley play considered in the context of the most important works of Elizabethan drama.
topic ренессансная кровавая драма мести
мотив грехопадения
мотив оборотничества
аллюзивность образов
Петраркизм
url http://journals.rudn.ru/literary-criticism/article/view/13376
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