Religious celebration and artistic virtuosity in Los Sirgueros de la Virgen sin original pecado, by Francisco Bramón
<p><strong>Abstract:</strong></p><p>This article tries to deepen into the rhetoric, theological and autobiographic mechanisms that lie under <em>Los Sirgueros de la Virgen sin original pecado</em> by Francisco Bramón (1620). A divine pastoral romance conceiv...
Main Author: | Eduardo Francisco Hopkins Rodríguez |
---|---|
Format: | Article |
Language: | Spanish |
Published: |
Universidad de Sevilla
2013-11-01
|
Series: | Atalanta: Revista de las Letras Barrocas |
Subjects: | |
Online Access: | http://www.revistaatalanta.com/index.php/ARLB/article/view/12 |
Similar Items
-
The Spanish Monarchy defender of the Immaculate Conception, through some seventeenth-century spanish prints
by: Juan Isaac Calvo Portela
Published: (2013-06-01) -
Sine Labe. El inmaculismo en la España de los siglos XV a XVII: La proyección social de un imaginario religioso
by: Estrella Ruiz-Gálvez Priego
Published: (2008-12-01) -
La iglesia de los santos Ildefonso y Tomás de Villanueva en Roma: un monumento barroco a la pietas hispanica
by: Pablo González Tornel
Published: (2015-03-01) -
Tríptico de la infamia de Pablo Montoya com a quadre barroc
by: Reindert Dhondt
Published: (2017-12-01) -
Antonio Trejo y la capilla de la Inmaculada Concepción de la Catedral de Murcia (1623-1627). Arte, devoción y memoria
by: Pablo González Tornel
Published: (2020-11-01)