Demystify Before Taking: A Conveniently De‑Romanticized View of Andalusia in Chris Stewart’s Driving Over Lemons: An Optimist in Andalucia

Chris Stewart’s account of his experiences after purchasing a farm in Andalusia, in an isolated farmhouse in the mountains adjacent to Granada, are far from the traditionally bucolic depictions of a pastoral landscape, in which the drawbacks of agricultural life become unquestionably compen...

Full description

Bibliographic Details
Main Author: Isabel M.ª Andrés Cuevas
Format: Article
Language:English
Published: UGA Éditions 2021-01-01
Series:Iris
Online Access:https://publications-prairial.fr/iris/index.php?id=1788
id doaj-2f767f17b0d14c5ca614ef4ea2fc6fe8
record_format Article
spelling doaj-2f767f17b0d14c5ca614ef4ea2fc6fe82021-10-08T10:30:28ZengUGA ÉditionsIris2779-20052021-01-013511712210.35562/iris.1788Demystify Before Taking: A Conveniently De‑Romanticized View of Andalusia in Chris Stewart’s Driving Over Lemons: An Optimist in AndaluciaIsabel M.ª Andrés Cuevas Chris Stewart’s account of his experiences after purchasing a farm in Andalusia, in an isolated farmhouse in the mountains adjacent to Granada, are far from the traditionally bucolic depictions of a pastoral landscape, in which the drawbacks of agricultural life become unquestionably compensated by the bliss of life in nature. Even though, as the title indicates, he seems to be a born romantic and optimist, undefeated by the inconveniences of a life without the everyday commodities of a First-World country in the twenty-first century, his memoir narrative is soon balanced by his own testimony, which provides a realistic counterbalance to Stewart’s initial idealistic portrayal of life in rustic Alpujarras. Nonetheless, as this article intends to demonstrate, it is precisely this necessary demystification of the rural setting prevailing in certain areas in Andalusia that becomes crucial for the establishment of an essential complicity with the audience, thereby trained to appreciate—and even become enthralled by—the reality of the rural surroundings which the contemporary reader can no longer envision as merely a place of “vales and hills” softly covered by “a host of golden daffodils”.https://publications-prairial.fr/iris/index.php?id=1788
collection DOAJ
language English
format Article
sources DOAJ
author Isabel M.ª Andrés Cuevas
spellingShingle Isabel M.ª Andrés Cuevas
Demystify Before Taking: A Conveniently De‑Romanticized View of Andalusia in Chris Stewart’s Driving Over Lemons: An Optimist in Andalucia
Iris
author_facet Isabel M.ª Andrés Cuevas
author_sort Isabel M.ª Andrés Cuevas
title Demystify Before Taking: A Conveniently De‑Romanticized View of Andalusia in Chris Stewart’s Driving Over Lemons: An Optimist in Andalucia
title_short Demystify Before Taking: A Conveniently De‑Romanticized View of Andalusia in Chris Stewart’s Driving Over Lemons: An Optimist in Andalucia
title_full Demystify Before Taking: A Conveniently De‑Romanticized View of Andalusia in Chris Stewart’s Driving Over Lemons: An Optimist in Andalucia
title_fullStr Demystify Before Taking: A Conveniently De‑Romanticized View of Andalusia in Chris Stewart’s Driving Over Lemons: An Optimist in Andalucia
title_full_unstemmed Demystify Before Taking: A Conveniently De‑Romanticized View of Andalusia in Chris Stewart’s Driving Over Lemons: An Optimist in Andalucia
title_sort demystify before taking: a conveniently de‑romanticized view of andalusia in chris stewart’s driving over lemons: an optimist in andalucia
publisher UGA Éditions
series Iris
issn 2779-2005
publishDate 2021-01-01
description Chris Stewart’s account of his experiences after purchasing a farm in Andalusia, in an isolated farmhouse in the mountains adjacent to Granada, are far from the traditionally bucolic depictions of a pastoral landscape, in which the drawbacks of agricultural life become unquestionably compensated by the bliss of life in nature. Even though, as the title indicates, he seems to be a born romantic and optimist, undefeated by the inconveniences of a life without the everyday commodities of a First-World country in the twenty-first century, his memoir narrative is soon balanced by his own testimony, which provides a realistic counterbalance to Stewart’s initial idealistic portrayal of life in rustic Alpujarras. Nonetheless, as this article intends to demonstrate, it is precisely this necessary demystification of the rural setting prevailing in certain areas in Andalusia that becomes crucial for the establishment of an essential complicity with the audience, thereby trained to appreciate—and even become enthralled by—the reality of the rural surroundings which the contemporary reader can no longer envision as merely a place of “vales and hills” softly covered by “a host of golden daffodils”.
url https://publications-prairial.fr/iris/index.php?id=1788
work_keys_str_mv AT isabelmaandrescuevas demystifybeforetakingaconvenientlyderomanticizedviewofandalusiainchrisstewartsdrivingoverlemonsanoptimistinandalucia
_version_ 1716838489195020288