From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras
The present study proposes an analysis of the poems by Roberta Estrela D’alva and Bell Puã, published in Querem nos calar: poemas para serem lidos em voz alta (2019). The poems challenge the notions of representation, mimesis, as well as the concept of poetics, in their classical senses, and approac...
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| Format: | Article |
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Universidade Federal de Goiás
2020-09-01
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| Series: | Texto Poético |
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| Online Access: | http://rtp.emnuvens.com.br/rtp/article/view/710 |
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doaj-2fb553aacd0643bf84a11cdf99ad7fd02020-11-25T03:55:38ZporUniversidade Federal de GoiásTexto Poético1808-53852020-09-011631406310.25094/rtp.2020n31a710435From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstrasPatrícia Pereira da Silva0Paulo Eduardo Benites de Moraes1Universidade Federal de RondôniaUniversidade Federal de RondôniaThe present study proposes an analysis of the poems by Roberta Estrela D’alva and Bell Puã, published in Querem nos calar: poemas para serem lidos em voz alta (2019). The poems challenge the notions of representation, mimesis, as well as the concept of poetics, in their classical senses, and approach the meanings of the poetic as a performance space in what goes back to the bond between body and speech, voice and performance, poetry and rhythm. Under the aegis of nonrepresentation, or anti-mimesis, the insurgent voices of the chick point to a social reexistence of both the poet and poetry itself, which are part of the movement of resignification of contemporary Brazilian poetry in an urban, street, peripheral context through the conjuncture of poetry slam.http://rtp.emnuvens.com.br/rtp/article/view/710performancepoética. poetry slamreexistênciavoz feminina. |
| collection |
DOAJ |
| language |
Portuguese |
| format |
Article |
| sources |
DOAJ |
| author |
Patrícia Pereira da Silva Paulo Eduardo Benites de Moraes |
| spellingShingle |
Patrícia Pereira da Silva Paulo Eduardo Benites de Moraes From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras Texto Poético performance poética. poetry slam reexistência voz feminina. |
| author_facet |
Patrícia Pereira da Silva Paulo Eduardo Benites de Moraes |
| author_sort |
Patrícia Pereira da Silva |
| title |
From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras |
| title_short |
From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras |
| title_full |
From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras |
| title_fullStr |
From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras |
| title_full_unstemmed |
From the insurgent voices in the Poetry Slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras |
| title_sort |
from the insurgent voices in the poetry slam movement to the reexistence of the slam of the mines: the aesthetics of the poetry of the quebrada by the manas, monas and monstras |
| publisher |
Universidade Federal de Goiás |
| series |
Texto Poético |
| issn |
1808-5385 |
| publishDate |
2020-09-01 |
| description |
The present study proposes an analysis of the poems by Roberta Estrela D’alva and Bell Puã, published in Querem nos calar: poemas para serem lidos em voz alta (2019). The poems challenge the notions of representation, mimesis, as well as the concept of poetics, in their classical senses, and approach the meanings of the poetic as a performance space in what goes back to the bond between body and speech, voice and performance, poetry and rhythm. Under the aegis of nonrepresentation, or anti-mimesis, the insurgent voices of the chick point to a social reexistence of both the poet and poetry itself, which are part of the movement of resignification of contemporary Brazilian poetry in an urban, street, peripheral context through the conjuncture of poetry slam. |
| topic |
performance poética. poetry slam reexistência voz feminina. |
| url |
http://rtp.emnuvens.com.br/rtp/article/view/710 |
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