Visual Ethnography, Thick Description and Cultural Representation

The purposes of this paper are threefold: to cover historical, theoretical and methodological overview of visual ethnography (photography and film) as a research tool in studying culture; to examine visual ethnography as a means of cultural representation, and to discuss visual ethnographic method w...

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Main Author: Dipesh Kharel
Format: Article
Language:English
Published: Tribhuvan University 2015-12-01
Series:Dhaulagiri Journal of Sociology and Anthropology
Subjects:
Online Access:http://nepjol.info/index.php/DSAJ/article/view/14026
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spelling doaj-346b932d46284b8589b17e1f975ba9cd2020-11-25T02:10:12ZengTribhuvan UniversityDhaulagiri Journal of Sociology and Anthropology1994-26641994-26722015-12-019014716010.3126/dsaj.v9i0.1402611024Visual Ethnography, Thick Description and Cultural RepresentationDipesh Kharel0University of Tokyo, JapanThe purposes of this paper are threefold: to cover historical, theoretical and methodological overview of visual ethnography (photography and film) as a research tool in studying culture; to examine visual ethnography as a means of cultural representation, and to discuss visual ethnographic method with Clifford Geertz’s idea of “thick description”. I hope to bring some clarity and consensus to our understanding how visual ethnography can be an adequate research tool for “thick description” and a study of culture. Furthermore, in this paper, I begin by seeing visual ethnography in the context to visual anthropology, photography, ethnographic film, and semiotics.http://nepjol.info/index.php/DSAJ/article/view/14026Visual Ethnography, Thick Description, Photography and Ethnographic Film
collection DOAJ
language English
format Article
sources DOAJ
author Dipesh Kharel
spellingShingle Dipesh Kharel
Visual Ethnography, Thick Description and Cultural Representation
Dhaulagiri Journal of Sociology and Anthropology
Visual Ethnography, Thick Description, Photography and Ethnographic Film
author_facet Dipesh Kharel
author_sort Dipesh Kharel
title Visual Ethnography, Thick Description and Cultural Representation
title_short Visual Ethnography, Thick Description and Cultural Representation
title_full Visual Ethnography, Thick Description and Cultural Representation
title_fullStr Visual Ethnography, Thick Description and Cultural Representation
title_full_unstemmed Visual Ethnography, Thick Description and Cultural Representation
title_sort visual ethnography, thick description and cultural representation
publisher Tribhuvan University
series Dhaulagiri Journal of Sociology and Anthropology
issn 1994-2664
1994-2672
publishDate 2015-12-01
description The purposes of this paper are threefold: to cover historical, theoretical and methodological overview of visual ethnography (photography and film) as a research tool in studying culture; to examine visual ethnography as a means of cultural representation, and to discuss visual ethnographic method with Clifford Geertz’s idea of “thick description”. I hope to bring some clarity and consensus to our understanding how visual ethnography can be an adequate research tool for “thick description” and a study of culture. Furthermore, in this paper, I begin by seeing visual ethnography in the context to visual anthropology, photography, ethnographic film, and semiotics.
topic Visual Ethnography, Thick Description, Photography and Ethnographic Film
url http://nepjol.info/index.php/DSAJ/article/view/14026
work_keys_str_mv AT dipeshkharel visualethnographythickdescriptionandculturalrepresentation
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