| Summary: | The fictional world of “The Daisy Dolls” like all the stories of Felisberto Hernández, establishes unusual links in a minimun diegesis that oversizes the sensations and coordinates of time and space erasing the limits of conventional reality. In that universe, the objects and characters contaminate each other sharing qualities.There, time and space are distorted by an interpretation of sensory data that is foreign to usual and conventional order. This allows the emergence of a fractured abysmal reality and means that this reality exceeds all limits set by conventions. Thus, normal modes of perception are reformulated, canceling the difference between subject and object and disarticulating the components of that word to construct a new fictional reality.
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