Updating traditional ethnic symbols in the design of a modern Finno‑Ugric costume

Introduction. In modern design, there is a relevant topic of creating original stage costumes using ancient sacred Finno-Ugric symbols. Materials and Methods. The choice of goals and objectives, which is based on the principle of consistency, determined the methodology of the work that is based on...

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Main Authors: Irina A. Sazykina, Irina L. Sirotina
Format: Article
Language:English
Published: National Research Mordova State University; MRSU 2021-07-01
Series:Финно-угорский мир
Subjects:
Online Access:http://csfu.mrsu.ru/en/archives/3704
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spelling doaj-364b64dfb4674011ac24c6508fd3c0b22021-07-15T14:44:48ZengNational Research Mordova State University; MRSUФинно-угорский мир2076-25772541-982X2021-07-0113218019210.15507/2076-2577.013.2021.02.180-192Updating traditional ethnic symbols in the design of a modern Finno‑Ugric costumeIrina A. Sazykina0Irina L. Sirotina1https://orcid.org/0000-0003-4498-5529Udmurt State UniversityNational Research Mordovia State UniversityIntroduction. In modern design, there is a relevant topic of creating original stage costumes using ancient sacred Finno-Ugric symbols. Materials and Methods. The choice of goals and objectives, which is based on the principle of consistency, determined the methodology of the work that is based on the synthesis of cultural and art history analysis. Results and Discussion. In line with the interdisciplinary research, the article considers the use of artistic techniques that allow us to preserve the code of recognition of the passing epochs in the current design: in the forms of symbols and signs of the Finno-Ugric peoples, color solutions, textures of fabrics and materials, decor, and the location of sacralization. It gives the author’s classification of modern collections of ethno-costume: conditionally authentic; folklore; pop; competitive. It considers the female complex of the northern Komi-Permians as a source for the creation of conditionally authentic costumes for the folk ensemble “Samorodky” (“Nuggets”). All theoretical findings are illustrated by their practical use in the creation of author’s collections. The main emphasis is made on the Udmurt costumes. Conclusion. The design of a modern Udmurt costume will be most effective and will reach a high-quality level. For this purpose, it is important to reveal sacred, semiotic and aesthetic content of the traditional costume and be scientifically understood and adequately adapted to today’s style and functional requirements both in design and in the semantic characteristics of decorative elements and accessories.http://csfu.mrsu.ru/en/archives/3704finno-ugric costumesacred zoomorphicplant and geometric signsmaterials and technologies of traditional udmurt clothingstage collections of ethno-costume
collection DOAJ
language English
format Article
sources DOAJ
author Irina A. Sazykina
Irina L. Sirotina
spellingShingle Irina A. Sazykina
Irina L. Sirotina
Updating traditional ethnic symbols in the design of a modern Finno‑Ugric costume
Финно-угорский мир
finno-ugric costume
sacred zoomorphic
plant and geometric signs
materials and technologies of traditional udmurt clothing
stage collections of ethno-costume
author_facet Irina A. Sazykina
Irina L. Sirotina
author_sort Irina A. Sazykina
title Updating traditional ethnic symbols in the design of a modern Finno‑Ugric costume
title_short Updating traditional ethnic symbols in the design of a modern Finno‑Ugric costume
title_full Updating traditional ethnic symbols in the design of a modern Finno‑Ugric costume
title_fullStr Updating traditional ethnic symbols in the design of a modern Finno‑Ugric costume
title_full_unstemmed Updating traditional ethnic symbols in the design of a modern Finno‑Ugric costume
title_sort updating traditional ethnic symbols in the design of a modern finno‑ugric costume
publisher National Research Mordova State University; MRSU
series Финно-угорский мир
issn 2076-2577
2541-982X
publishDate 2021-07-01
description Introduction. In modern design, there is a relevant topic of creating original stage costumes using ancient sacred Finno-Ugric symbols. Materials and Methods. The choice of goals and objectives, which is based on the principle of consistency, determined the methodology of the work that is based on the synthesis of cultural and art history analysis. Results and Discussion. In line with the interdisciplinary research, the article considers the use of artistic techniques that allow us to preserve the code of recognition of the passing epochs in the current design: in the forms of symbols and signs of the Finno-Ugric peoples, color solutions, textures of fabrics and materials, decor, and the location of sacralization. It gives the author’s classification of modern collections of ethno-costume: conditionally authentic; folklore; pop; competitive. It considers the female complex of the northern Komi-Permians as a source for the creation of conditionally authentic costumes for the folk ensemble “Samorodky” (“Nuggets”). All theoretical findings are illustrated by their practical use in the creation of author’s collections. The main emphasis is made on the Udmurt costumes. Conclusion. The design of a modern Udmurt costume will be most effective and will reach a high-quality level. For this purpose, it is important to reveal sacred, semiotic and aesthetic content of the traditional costume and be scientifically understood and adequately adapted to today’s style and functional requirements both in design and in the semantic characteristics of decorative elements and accessories.
topic finno-ugric costume
sacred zoomorphic
plant and geometric signs
materials and technologies of traditional udmurt clothing
stage collections of ethno-costume
url http://csfu.mrsu.ru/en/archives/3704
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