Versions, Improvisations, and Rearrangements of Brazilian Protest Music in the March of Engaged Art in 1960s
This study investigates the tensions in the alliance between popular musicians and intellectuals in relation to the politically engaged art that emerged in the 1960s at the CPC-UNE (Popular Culture Center of the National Student Union) and extending to the mass media, especially in the form known as...
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| Format: | Article |
| Language: | Portuguese |
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Associação Nacional de Pesquisa e Pós-Graduação em Música
2016-12-01
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| Series: | Opus |
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| Online Access: | http://www.anppom.com.br/revista/index.php/opus/article/view/418 |