RECEPTIVE STRATEGIES OF Y. KLAVDIEV'S PLAY "THE YAKUZA DOGS"

The article discusses the play by contemporary playwright Yuri Klavdiev "TheYakuza Dogs." Here is a detailed (but not exhaustive) analysis of the cultural codes. According to the author of the study, the languages of animation, cinema, classical  and  fictional  literature,  computer  game...

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Main Author: T. N. Volkova
Format: Article
Language:English
Published: Kemerovo State University 2017-06-01
Series:Вестник Кемеровского государственного университета
Subjects:
Online Access:https://vestnik.kemsu.ru/jour/article/view/2192
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spelling doaj-36c770c63c8f4359871fc1d97bc7eb402020-11-24T21:58:25ZengKemerovo State UniversityВестник Кемеровского государственного университета2078-89752078-89832017-06-010218418810.21603/2078-8975-2017-2-184-1882071RECEPTIVE STRATEGIES OF Y. KLAVDIEV'S PLAY "THE YAKUZA DOGS"T. N. Volkova0Kuzbass Regional Institute of Skills Improvement and Retraining for EducatorsThe article discusses the play by contemporary playwright Yuri Klavdiev "TheYakuza Dogs." Here is a detailed (but not exhaustive) analysis of the cultural codes. According to the author of the study, the languages of animation, cinema, classical  and  fictional  literature,  computer  games  and  eastern  philosophy  form in the play, a specific "dialect" addressed to its teenage reader. The article emphasizes that a reading teenager is different from a child-reader and an adult reader: their receptive capabilities are largely defined by puberty crisis. On the one hand, in fiction a teenager looks for dynamics and heroics, and, on the other hand, they are eager to face  the  social  reality  fierce  with  its  innumerable  conflicts.  In  the  first  case, the teenagers manifest  themselves  as a  child-reader with  their interest for action and the  struggle  between  good  and  evil.  In  the  second  case,  on  the  contrary, as an adult, since the ability to see the border that separates the tale from life belongs only to a well-formed reader.https://vestnik.kemsu.ru/jour/article/view/2192adult readeranimationchild readerheroicreceptive strategyteen readervisual
collection DOAJ
language English
format Article
sources DOAJ
author T. N. Volkova
spellingShingle T. N. Volkova
RECEPTIVE STRATEGIES OF Y. KLAVDIEV'S PLAY "THE YAKUZA DOGS"
Вестник Кемеровского государственного университета
adult reader
animation
child reader
heroic
receptive strategy
teen reader
visual
author_facet T. N. Volkova
author_sort T. N. Volkova
title RECEPTIVE STRATEGIES OF Y. KLAVDIEV'S PLAY "THE YAKUZA DOGS"
title_short RECEPTIVE STRATEGIES OF Y. KLAVDIEV'S PLAY "THE YAKUZA DOGS"
title_full RECEPTIVE STRATEGIES OF Y. KLAVDIEV'S PLAY "THE YAKUZA DOGS"
title_fullStr RECEPTIVE STRATEGIES OF Y. KLAVDIEV'S PLAY "THE YAKUZA DOGS"
title_full_unstemmed RECEPTIVE STRATEGIES OF Y. KLAVDIEV'S PLAY "THE YAKUZA DOGS"
title_sort receptive strategies of y. klavdiev's play "the yakuza dogs"
publisher Kemerovo State University
series Вестник Кемеровского государственного университета
issn 2078-8975
2078-8983
publishDate 2017-06-01
description The article discusses the play by contemporary playwright Yuri Klavdiev "TheYakuza Dogs." Here is a detailed (but not exhaustive) analysis of the cultural codes. According to the author of the study, the languages of animation, cinema, classical  and  fictional  literature,  computer  games  and  eastern  philosophy  form in the play, a specific "dialect" addressed to its teenage reader. The article emphasizes that a reading teenager is different from a child-reader and an adult reader: their receptive capabilities are largely defined by puberty crisis. On the one hand, in fiction a teenager looks for dynamics and heroics, and, on the other hand, they are eager to face  the  social  reality  fierce  with  its  innumerable  conflicts.  In  the  first  case, the teenagers manifest  themselves  as a  child-reader with  their interest for action and the  struggle  between  good  and  evil.  In  the  second  case,  on  the  contrary, as an adult, since the ability to see the border that separates the tale from life belongs only to a well-formed reader.
topic adult reader
animation
child reader
heroic
receptive strategy
teen reader
visual
url https://vestnik.kemsu.ru/jour/article/view/2192
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