Erudition, Dialogue and Instruction in «Noches claras» by Manuel de Faria e Sousa

In <em>Noches claras</em> by Manuel de Faria e Sousa, among discourses and chapters which serve different purposes, an intense programme of cultural divulgation starts to take form, which offers the readers themes of social and religious nature as well as of moral philosophy, stimulating...

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Main Author: Paulo Silva Pereira
Format: Article
Language:English
Published: Instituto de Estudios Auriseculares (IDEA) 2015-11-01
Series:Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
Online Access:http://revistahipogrifo.com/index.php/hipogrifo/article/view/116
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spelling doaj-370e5915d0654553ac4cf54e759e1d332020-11-24T22:40:53ZengInstituto de Estudios Auriseculares (IDEA)Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro2328-13082015-11-013220322910.13035/H.2015.03.02.1394Erudition, Dialogue and Instruction in «Noches claras» by Manuel de Faria e SousaPaulo Silva Pereira0Centro de Literatura Portuguesa. Universidade de CoimbraIn <em>Noches claras</em> by Manuel de Faria e Sousa, among discourses and chapters which serve different purposes, an intense programme of cultural divulgation starts to take form, which offers the readers themes of social and religious nature as well as of moral philosophy, stimulating their intellectual curiosity. By combining the strong didactic aesthetics of the miscellanea, as it was cultivated in the Iberian Peninsula in the 16th and 17th centuries, with the specific features of dialogue, the project gained density and gave way to a more pleasant use than the mere occasional search for information. The variety in themes and sense of erudition, resulting from a wide range of ancient and modern cultural and religious sources, are now seen as part of a more coherent composition, thus overcoming the risks of fragmented reading. On the other hand, the autobiographical drive which can be found across a significant part of Faria e Sousa’s literary production, allows him to come closer to the essay genre, as the author is regarded as the one who is responsible for carefully choosing the material, organizing and exposing it based on his knowledge and life experience which were the marks of the discrete man.http://revistahipogrifo.com/index.php/hipogrifo/article/view/116
collection DOAJ
language English
format Article
sources DOAJ
author Paulo Silva Pereira
spellingShingle Paulo Silva Pereira
Erudition, Dialogue and Instruction in «Noches claras» by Manuel de Faria e Sousa
Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
author_facet Paulo Silva Pereira
author_sort Paulo Silva Pereira
title Erudition, Dialogue and Instruction in «Noches claras» by Manuel de Faria e Sousa
title_short Erudition, Dialogue and Instruction in «Noches claras» by Manuel de Faria e Sousa
title_full Erudition, Dialogue and Instruction in «Noches claras» by Manuel de Faria e Sousa
title_fullStr Erudition, Dialogue and Instruction in «Noches claras» by Manuel de Faria e Sousa
title_full_unstemmed Erudition, Dialogue and Instruction in «Noches claras» by Manuel de Faria e Sousa
title_sort erudition, dialogue and instruction in «noches claras» by manuel de faria e sousa
publisher Instituto de Estudios Auriseculares (IDEA)
series Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro
issn 2328-1308
publishDate 2015-11-01
description In <em>Noches claras</em> by Manuel de Faria e Sousa, among discourses and chapters which serve different purposes, an intense programme of cultural divulgation starts to take form, which offers the readers themes of social and religious nature as well as of moral philosophy, stimulating their intellectual curiosity. By combining the strong didactic aesthetics of the miscellanea, as it was cultivated in the Iberian Peninsula in the 16th and 17th centuries, with the specific features of dialogue, the project gained density and gave way to a more pleasant use than the mere occasional search for information. The variety in themes and sense of erudition, resulting from a wide range of ancient and modern cultural and religious sources, are now seen as part of a more coherent composition, thus overcoming the risks of fragmented reading. On the other hand, the autobiographical drive which can be found across a significant part of Faria e Sousa’s literary production, allows him to come closer to the essay genre, as the author is regarded as the one who is responsible for carefully choosing the material, organizing and exposing it based on his knowledge and life experience which were the marks of the discrete man.
url http://revistahipogrifo.com/index.php/hipogrifo/article/view/116
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