Topografie terezínských filmů (1942-1944/5)

The Topography of Theresienstadt Films (1942-1944/5) The Theresienstadt films made between 1942 and 1944/5 constitute an important source for historians researching the Ghetto. The films cover particular phases of the Ghetto’s development and, in visual form, represent the “highlights of the merits...

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Main Author: Tomáš Fedorovič
Format: Article
Language:ces
Published: Natascha Drubek 2016-05-01
Series:Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe
Subjects:
Online Access:http://www.apparatusjournal.net/index.php/apparatus/article/view/29
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spelling doaj-37db2be5066242c2a4393de32ca6f4902020-11-25T01:23:32ZcesNatascha DrubekApparatus. Film, Media and Digital Cultures of Central and Eastern Europe2365-77582016-05-0102-310.17892/app.2016.0002.2919Topografie terezínských filmů (1942-1944/5)Tomáš FedorovičThe Topography of Theresienstadt Films (1942-1944/5) The Theresienstadt films made between 1942 and 1944/5 constitute an important source for historians researching the Ghetto. The films cover particular phases of the Ghetto’s development and, in visual form, represent the “highlights of the merits of the SS” concerning the “Paradise-Ghetto” (according to the SS-major Hans Günther). The author presents the two most important uses for these films. On the one hand, the films gave a view of the otherwise concealed ghetto, and in doing so offered guidance to (future) visitors and donors of humanitarian aid. On the other hand, the last film, Theresienstadt. Ein Dokumentarfilm aus dem jüdischen Siedlungsgebiet,  also served as a window to show the outside world, which people were in the Ghetto (i.e. still alive) and represented “a value” in negotiations between the SS and the Allies.http://www.apparatusjournal.net/index.php/apparatus/article/view/29topografiehimmler, filmnávštěva mvčkpropagandaprominenti
collection DOAJ
language ces
format Article
sources DOAJ
author Tomáš Fedorovič
spellingShingle Tomáš Fedorovič
Topografie terezínských filmů (1942-1944/5)
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe
topografie
himmler, film
návštěva mvčk
propaganda
prominenti
author_facet Tomáš Fedorovič
author_sort Tomáš Fedorovič
title Topografie terezínských filmů (1942-1944/5)
title_short Topografie terezínských filmů (1942-1944/5)
title_full Topografie terezínských filmů (1942-1944/5)
title_fullStr Topografie terezínských filmů (1942-1944/5)
title_full_unstemmed Topografie terezínských filmů (1942-1944/5)
title_sort topografie terezínských filmů (1942-1944/5)
publisher Natascha Drubek
series Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe
issn 2365-7758
publishDate 2016-05-01
description The Topography of Theresienstadt Films (1942-1944/5) The Theresienstadt films made between 1942 and 1944/5 constitute an important source for historians researching the Ghetto. The films cover particular phases of the Ghetto’s development and, in visual form, represent the “highlights of the merits of the SS” concerning the “Paradise-Ghetto” (according to the SS-major Hans Günther). The author presents the two most important uses for these films. On the one hand, the films gave a view of the otherwise concealed ghetto, and in doing so offered guidance to (future) visitors and donors of humanitarian aid. On the other hand, the last film, Theresienstadt. Ein Dokumentarfilm aus dem jüdischen Siedlungsgebiet,  also served as a window to show the outside world, which people were in the Ghetto (i.e. still alive) and represented “a value” in negotiations between the SS and the Allies.
topic topografie
himmler, film
návštěva mvčk
propaganda
prominenti
url http://www.apparatusjournal.net/index.php/apparatus/article/view/29
work_keys_str_mv AT tomasfedorovic topografieterezinskychfilmu194219445
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