Topografie terezínských filmů (1942-1944/5)
The Topography of Theresienstadt Films (1942-1944/5) The Theresienstadt films made between 1942 and 1944/5 constitute an important source for historians researching the Ghetto. The films cover particular phases of the Ghetto’s development and, in visual form, represent the “highlights of the merits...
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Natascha Drubek
2016-05-01
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Online Access: | http://www.apparatusjournal.net/index.php/apparatus/article/view/29 |
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doaj-37db2be5066242c2a4393de32ca6f4902020-11-25T01:23:32ZcesNatascha DrubekApparatus. Film, Media and Digital Cultures of Central and Eastern Europe2365-77582016-05-0102-310.17892/app.2016.0002.2919Topografie terezínských filmů (1942-1944/5)Tomáš FedorovičThe Topography of Theresienstadt Films (1942-1944/5) The Theresienstadt films made between 1942 and 1944/5 constitute an important source for historians researching the Ghetto. The films cover particular phases of the Ghetto’s development and, in visual form, represent the “highlights of the merits of the SS” concerning the “Paradise-Ghetto” (according to the SS-major Hans Günther). The author presents the two most important uses for these films. On the one hand, the films gave a view of the otherwise concealed ghetto, and in doing so offered guidance to (future) visitors and donors of humanitarian aid. On the other hand, the last film, Theresienstadt. Ein Dokumentarfilm aus dem jüdischen Siedlungsgebiet, also served as a window to show the outside world, which people were in the Ghetto (i.e. still alive) and represented “a value” in negotiations between the SS and the Allies.http://www.apparatusjournal.net/index.php/apparatus/article/view/29topografiehimmler, filmnávštěva mvčkpropagandaprominenti |
collection |
DOAJ |
language |
ces |
format |
Article |
sources |
DOAJ |
author |
Tomáš Fedorovič |
spellingShingle |
Tomáš Fedorovič Topografie terezínských filmů (1942-1944/5) Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe topografie himmler, film návštěva mvčk propaganda prominenti |
author_facet |
Tomáš Fedorovič |
author_sort |
Tomáš Fedorovič |
title |
Topografie terezínských filmů (1942-1944/5) |
title_short |
Topografie terezínských filmů (1942-1944/5) |
title_full |
Topografie terezínských filmů (1942-1944/5) |
title_fullStr |
Topografie terezínských filmů (1942-1944/5) |
title_full_unstemmed |
Topografie terezínských filmů (1942-1944/5) |
title_sort |
topografie terezínských filmů (1942-1944/5) |
publisher |
Natascha Drubek |
series |
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe |
issn |
2365-7758 |
publishDate |
2016-05-01 |
description |
The Topography of Theresienstadt Films (1942-1944/5)
The Theresienstadt films made between 1942 and 1944/5 constitute an important source for historians researching the Ghetto. The films cover particular phases of the Ghetto’s development and, in visual form, represent the “highlights of the merits of the SS” concerning the “Paradise-Ghetto” (according to the SS-major Hans Günther). The author presents the two most important uses for these films. On the one hand, the films gave a view of the otherwise concealed ghetto, and in doing so offered guidance to (future) visitors and donors of humanitarian aid. On the other hand, the last film, Theresienstadt. Ein Dokumentarfilm aus dem jüdischen Siedlungsgebiet, also served as a window to show the outside world, which people were in the Ghetto (i.e. still alive) and represented “a value” in negotiations between the SS and the Allies. |
topic |
topografie himmler, film návštěva mvčk propaganda prominenti |
url |
http://www.apparatusjournal.net/index.php/apparatus/article/view/29 |
work_keys_str_mv |
AT tomasfedorovic topografieterezinskychfilmu194219445 |
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1725121676923895808 |