Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation

AI applications for music creation have been available since the last century but, until recently, their adoption has been limited to a small niche of researchers and engineers and their ontology limited to experimentation in computational creativity. The ongoing transformation of the music industry...

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Main Author: Fabio Morreale
Format: Article
Language:English
Published: Ubiquity Press 2021-07-01
Series:Transactions of the International Society for Music Information Retrieval
Subjects:
Online Access:https://transactions.ismir.net/articles/86
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spelling doaj-3954a9145ed44ceb97818ec1ca2a121c2021-08-11T08:10:05ZengUbiquity PressTransactions of the International Society for Music Information Retrieval2514-32982021-07-014110.5334/tismir.8647Where Does the Buck Stop? Ethical and Political Issues with AI in Music CreationFabio Morreale0University of AucklandAI applications for music creation have been available since the last century but, until recently, their adoption has been limited to a small niche of researchers and engineers and their ontology limited to experimentation in computational creativity. The ongoing transformation of the music industry, the increasing injection of capital into AI-music companies, and the technical advancements in AI are in the process of expanding this niche and shifting the ontology of these applications. This expansion and ontological shift raise several ethical and political issues that this article sets out to explore. I contextualise the ideological substrate currently guiding mainstream research in commercial AI-generated music and identify two urgent issues caused by this research. First, the inevitable increase in the artistic surplus population and decrease in creative labour cost; second, the tacit acceptance of neo-colonial practices based on the exploitation of existing music and listeners’ preferences. I propose that these issues should be discussed and addressed by the creators of these technologies, and I suggest an ethical and epistemological turn for MIR research.https://transactions.ismir.net/articles/86ethics of music-aipolitics of music-aidataveillancesurplus populationdigital colonialism
collection DOAJ
language English
format Article
sources DOAJ
author Fabio Morreale
spellingShingle Fabio Morreale
Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation
Transactions of the International Society for Music Information Retrieval
ethics of music-ai
politics of music-ai
dataveillance
surplus population
digital colonialism
author_facet Fabio Morreale
author_sort Fabio Morreale
title Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation
title_short Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation
title_full Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation
title_fullStr Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation
title_full_unstemmed Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation
title_sort where does the buck stop? ethical and political issues with ai in music creation
publisher Ubiquity Press
series Transactions of the International Society for Music Information Retrieval
issn 2514-3298
publishDate 2021-07-01
description AI applications for music creation have been available since the last century but, until recently, their adoption has been limited to a small niche of researchers and engineers and their ontology limited to experimentation in computational creativity. The ongoing transformation of the music industry, the increasing injection of capital into AI-music companies, and the technical advancements in AI are in the process of expanding this niche and shifting the ontology of these applications. This expansion and ontological shift raise several ethical and political issues that this article sets out to explore. I contextualise the ideological substrate currently guiding mainstream research in commercial AI-generated music and identify two urgent issues caused by this research. First, the inevitable increase in the artistic surplus population and decrease in creative labour cost; second, the tacit acceptance of neo-colonial practices based on the exploitation of existing music and listeners’ preferences. I propose that these issues should be discussed and addressed by the creators of these technologies, and I suggest an ethical and epistemological turn for MIR research.
topic ethics of music-ai
politics of music-ai
dataveillance
surplus population
digital colonialism
url https://transactions.ismir.net/articles/86
work_keys_str_mv AT fabiomorreale wheredoesthebuckstopethicalandpoliticalissueswithaiinmusiccreation
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