In The Name of “Like This”: The Appropriation of Artwork In Digital Age
The rapidly growing and massive information age in digital media platforms has created and introduced cultural ramifications on various aspects of human life. The ongoing era of globalization of the twentieth century has fuel the capability in digitizing and manipulating information during traffi...
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Graduate School of Indonesia Institute of the Arts Yogyakarta
2019-06-01
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Online Access: | http://journal.isi.ac.id/index.php/IJCAS/article/view/3273/1518 |
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doaj-3bef4299e77c411fba6b364c22d031802021-04-02T19:04:46ZengGraduate School of Indonesia Institute of the Arts YogyakartaInternational Journal of Creative and Arts Studies2339-191X2406-97602019-06-01613343https://doi.org/10.24821/ijcas.v6i1.3273In The Name of “Like This”: The Appropriation of Artwork In Digital AgePangeran Putra Perkasa Alam Nasution0Mochammad Wahyu Ghani1Anthropology, Faculty of Social and Political Sciences, University of Malikussaleh, Lhokseumawe-AcehIndonesia Institute of Sciences JakartaThe rapidly growing and massive information age in digital media platforms has created and introduced cultural ramifications on various aspects of human life. The ongoing era of globalization of the twentieth century has fuel the capability in digitizing and manipulating information during traffic. Cultural growth in the new age includes: ―cultural preservation as the main ingredient of the ordinary‖; the proliferation of electronic visual images; and the construction of a multifaceted and the individual identity or social imaginary. The artwork currently is glorifying so many appropriations practices. All the art creations i n the code of conduct are suitable for one aspiration, and that is the digital aesthetic market. It is now customary to gather on the variety of artistic creations from different cultures that are appropriated as new and authentic artwork. Thus, this article discusses the appropriation for the artwork in the rise of the digital media platform era. This paper is an anthropological study that refers to the interpretivereflexive paradigm as the analysis of path-work. Digital media is the unit of analysis in this study.http://journal.isi.ac.id/index.php/IJCAS/article/view/3273/1518digital information ageartwork creationcultural appropriation |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Pangeran Putra Perkasa Alam Nasution Mochammad Wahyu Ghani |
spellingShingle |
Pangeran Putra Perkasa Alam Nasution Mochammad Wahyu Ghani In The Name of “Like This”: The Appropriation of Artwork In Digital Age International Journal of Creative and Arts Studies digital information age artwork creation cultural appropriation |
author_facet |
Pangeran Putra Perkasa Alam Nasution Mochammad Wahyu Ghani |
author_sort |
Pangeran Putra Perkasa Alam Nasution |
title |
In The Name of “Like This”: The Appropriation of Artwork In Digital Age |
title_short |
In The Name of “Like This”: The Appropriation of Artwork In Digital Age |
title_full |
In The Name of “Like This”: The Appropriation of Artwork In Digital Age |
title_fullStr |
In The Name of “Like This”: The Appropriation of Artwork In Digital Age |
title_full_unstemmed |
In The Name of “Like This”: The Appropriation of Artwork In Digital Age |
title_sort |
in the name of “like this”: the appropriation of artwork in digital age |
publisher |
Graduate School of Indonesia Institute of the Arts Yogyakarta |
series |
International Journal of Creative and Arts Studies |
issn |
2339-191X 2406-9760 |
publishDate |
2019-06-01 |
description |
The rapidly growing and massive information age in digital media platforms has
created and introduced cultural ramifications on various aspects of human life.
The ongoing era of globalization of the twentieth century has fuel the capability
in digitizing and manipulating information during traffic. Cultural growth in the
new age includes: ―cultural preservation as the main ingredient of the ordinary‖;
the proliferation of electronic visual images; and the construction of a
multifaceted and the individual identity or social imaginary. The artwork
currently is glorifying so many appropriations practices. All the art creations i n
the code of conduct are suitable for one aspiration, and that is the digital aesthetic
market. It is now customary to gather on the variety of artistic creations from
different cultures that are appropriated as new and authentic artwork. Thus, this
article discusses the appropriation for the artwork in the rise of the digital media
platform era. This paper is an anthropological study that refers to the interpretivereflexive paradigm as the analysis of path-work. Digital media is the unit of analysis in this study. |
topic |
digital information age artwork creation cultural appropriation |
url |
http://journal.isi.ac.id/index.php/IJCAS/article/view/3273/1518 |
work_keys_str_mv |
AT pangeranputraperkasaalamnasution inthenameoflikethistheappropriationofartworkindigitalage AT mochammadwahyughani inthenameoflikethistheappropriationofartworkindigitalage |
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1721549645420691456 |