Origins of 1/f noise in human music performance from short-range autocorrelations related to rhythmic structures.

1/f fluctuations have been described in numerous physical and biological processes. This noise structure describes an inverse relationship between the intensity and frequency of events in a time series (for example reflected in power spectra), and is believed to indicate long-range dependence, where...

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Main Authors: Ian D Colley, Roger T Dean
Format: Article
Language:English
Published: Public Library of Science (PLoS) 2019-01-01
Series:PLoS ONE
Online Access:https://doi.org/10.1371/journal.pone.0216088
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spelling doaj-3c12fe8f934f4aba93d4c9074b24505d2021-03-03T20:41:57ZengPublic Library of Science (PLoS)PLoS ONE1932-62032019-01-01145e021608810.1371/journal.pone.0216088Origins of 1/f noise in human music performance from short-range autocorrelations related to rhythmic structures.Ian D ColleyRoger T Dean1/f fluctuations have been described in numerous physical and biological processes. This noise structure describes an inverse relationship between the intensity and frequency of events in a time series (for example reflected in power spectra), and is believed to indicate long-range dependence, whereby events at one time point influence events many observations later. 1/f has been identified in rhythmic behaviors, such as music, and is typically attributed to long-range correlations. However short-range dependence in musical performance is a well-established finding and past research has suggested that 1/f can arise from multiple continuing short-range processes. We tested this possibility using simulations and time-series modeling, complemented by traditional analyses using power spectra and detrended fluctuation analysis (as often adopted more recently). Our results show that 1/f-type fluctuations in musical contexts may be explained by short-range models involving multiple time lags, and the temporal ranges in which rhythmic hierarchies are expressed are apt to create these fluctuations through such short-range autocorrelations. We also analyzed gait, heartbeat, and resting-state EEG data, demonstrating the coexistence of multiple short-range processes and 1/f fluctuation in a variety of phenomena. This suggests that 1/f fluctuation might not indicate long-range correlations, and points to its likely origins in musical rhythm and related structures.https://doi.org/10.1371/journal.pone.0216088
collection DOAJ
language English
format Article
sources DOAJ
author Ian D Colley
Roger T Dean
spellingShingle Ian D Colley
Roger T Dean
Origins of 1/f noise in human music performance from short-range autocorrelations related to rhythmic structures.
PLoS ONE
author_facet Ian D Colley
Roger T Dean
author_sort Ian D Colley
title Origins of 1/f noise in human music performance from short-range autocorrelations related to rhythmic structures.
title_short Origins of 1/f noise in human music performance from short-range autocorrelations related to rhythmic structures.
title_full Origins of 1/f noise in human music performance from short-range autocorrelations related to rhythmic structures.
title_fullStr Origins of 1/f noise in human music performance from short-range autocorrelations related to rhythmic structures.
title_full_unstemmed Origins of 1/f noise in human music performance from short-range autocorrelations related to rhythmic structures.
title_sort origins of 1/f noise in human music performance from short-range autocorrelations related to rhythmic structures.
publisher Public Library of Science (PLoS)
series PLoS ONE
issn 1932-6203
publishDate 2019-01-01
description 1/f fluctuations have been described in numerous physical and biological processes. This noise structure describes an inverse relationship between the intensity and frequency of events in a time series (for example reflected in power spectra), and is believed to indicate long-range dependence, whereby events at one time point influence events many observations later. 1/f has been identified in rhythmic behaviors, such as music, and is typically attributed to long-range correlations. However short-range dependence in musical performance is a well-established finding and past research has suggested that 1/f can arise from multiple continuing short-range processes. We tested this possibility using simulations and time-series modeling, complemented by traditional analyses using power spectra and detrended fluctuation analysis (as often adopted more recently). Our results show that 1/f-type fluctuations in musical contexts may be explained by short-range models involving multiple time lags, and the temporal ranges in which rhythmic hierarchies are expressed are apt to create these fluctuations through such short-range autocorrelations. We also analyzed gait, heartbeat, and resting-state EEG data, demonstrating the coexistence of multiple short-range processes and 1/f fluctuation in a variety of phenomena. This suggests that 1/f fluctuation might not indicate long-range correlations, and points to its likely origins in musical rhythm and related structures.
url https://doi.org/10.1371/journal.pone.0216088
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