Digital Image as a Semiotic Agent

In the context of the computational and algorithmic revolution, the digital image more than ever elevates the status of representations to the sphere of processes and operations. In a more general context, images can be seen as cultural agents, progressively developing new habits by promoting media...

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Main Authors: Camila Mangueira, Fabrício Fava, Miguel Carvalhais
Format: Article
Language:English
Published: Universidade Católica Portuguesa 2020-04-01
Series:Journal of Science and Technology of the Arts
Subjects:
Online Access:https://revistas.ucp.pt/index.php/jsta/article/view/8195
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spelling doaj-3ce07024e1e441349b8704587e87ee782020-11-25T03:59:55ZengUniversidade Católica PortuguesaJournal of Science and Technology of the Arts1646-97982183-00882020-04-0112110.34632/jsta.2020.8195Digital Image as a Semiotic AgentCamila Mangueira0Fabrício Fava1Miguel Carvalhais2University of Porto, Faculty of Fine ArtsUniversity of Porto, Faculty of Fine ArtsUniversity of Porto, Faculty of Fine Arts, INESC TEC In the context of the computational and algorithmic revolution, the digital image more than ever elevates the status of representations to the sphere of processes and operations. In a more general context, images can be seen as cultural agents, progressively developing new habits by promoting mediations between multiple subjects, whether human or nonhuman. From this perspective, we may question what characterizes the dynamics of those images. Can we consider digital images to be semiotic agents? Admitting this premise implies highlighting images not only as results or instruments but as integrated participants in processes. In light of this, we explore the digital image as a semiotic agent, from a Peircean semiotic perspective, from which the digital image can be seen as a sign, a dialogical being inserted in a network of relations. https://revistas.ucp.pt/index.php/jsta/article/view/8195Digital ImageSemiotic AgentCommunicationVisual Culture
collection DOAJ
language English
format Article
sources DOAJ
author Camila Mangueira
Fabrício Fava
Miguel Carvalhais
spellingShingle Camila Mangueira
Fabrício Fava
Miguel Carvalhais
Digital Image as a Semiotic Agent
Journal of Science and Technology of the Arts
Digital Image
Semiotic Agent
Communication
Visual Culture
author_facet Camila Mangueira
Fabrício Fava
Miguel Carvalhais
author_sort Camila Mangueira
title Digital Image as a Semiotic Agent
title_short Digital Image as a Semiotic Agent
title_full Digital Image as a Semiotic Agent
title_fullStr Digital Image as a Semiotic Agent
title_full_unstemmed Digital Image as a Semiotic Agent
title_sort digital image as a semiotic agent
publisher Universidade Católica Portuguesa
series Journal of Science and Technology of the Arts
issn 1646-9798
2183-0088
publishDate 2020-04-01
description In the context of the computational and algorithmic revolution, the digital image more than ever elevates the status of representations to the sphere of processes and operations. In a more general context, images can be seen as cultural agents, progressively developing new habits by promoting mediations between multiple subjects, whether human or nonhuman. From this perspective, we may question what characterizes the dynamics of those images. Can we consider digital images to be semiotic agents? Admitting this premise implies highlighting images not only as results or instruments but as integrated participants in processes. In light of this, we explore the digital image as a semiotic agent, from a Peircean semiotic perspective, from which the digital image can be seen as a sign, a dialogical being inserted in a network of relations.
topic Digital Image
Semiotic Agent
Communication
Visual Culture
url https://revistas.ucp.pt/index.php/jsta/article/view/8195
work_keys_str_mv AT camilamangueira digitalimageasasemioticagent
AT fabriciofava digitalimageasasemioticagent
AT miguelcarvalhais digitalimageasasemioticagent
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