The progress of Australian humour in Britain

There has long been a close link between both the comedy and, by implication, the sense of humour of British and Australians. Such distinctively British radio and television programs as Hancock's Half Hour and Till Death Do Us Part found their main overseas market in Australia rather than in ot...

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Main Author: John Christopher Davies
Format: Article
Language:English
Published: Cracow Tertium Society for the Promotion of Language Studies 2017-12-01
Series:The European Journal of Humour Research
Subjects:
Online Access:https://www.europeanjournalofhumour.org/index.php/ejhr/article/view/255
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spelling doaj-3e09c92c685e45e29d2bf915cbeb3df52021-03-02T17:51:06ZengCracow Tertium Society for the Promotion of Language StudiesThe European Journal of Humour Research2307-700X2017-12-0154152810.7592/EJHR2017.5.4.davies188The progress of Australian humour in BritainJohn Christopher Davies0University of Reading, UKThere has long been a close link between both the comedy and, by implication, the sense of humour of British and Australians. Such distinctively British radio and television programs as Hancock's Half Hour and Till Death Do Us Part found their main overseas market in Australia rather than in other English-speaking countries. Americans either did not find them funny or else were not allowed to find them funny, or provided feeble imitations such as Archie Bunker. Only the Australians were able and willing to share the British sense of humour. The other side of this relationship is that Australian comedians such as Dick Bentley, Joy Nicholls, Bill Kerr, Rolf Harris, Barry Humphries and Kevin Bloody Wilson, having succeeded in Australia, have gone on to be successful in Britain as well. Clearly the same formulae work in both countries.https://www.europeanjournalofhumour.org/index.php/ejhr/article/view/255jokesaustraliabritainboundariesmateshipmasculinityvomit
collection DOAJ
language English
format Article
sources DOAJ
author John Christopher Davies
spellingShingle John Christopher Davies
The progress of Australian humour in Britain
The European Journal of Humour Research
jokes
australia
britain
boundaries
mateship
masculinity
vomit
author_facet John Christopher Davies
author_sort John Christopher Davies
title The progress of Australian humour in Britain
title_short The progress of Australian humour in Britain
title_full The progress of Australian humour in Britain
title_fullStr The progress of Australian humour in Britain
title_full_unstemmed The progress of Australian humour in Britain
title_sort progress of australian humour in britain
publisher Cracow Tertium Society for the Promotion of Language Studies
series The European Journal of Humour Research
issn 2307-700X
publishDate 2017-12-01
description There has long been a close link between both the comedy and, by implication, the sense of humour of British and Australians. Such distinctively British radio and television programs as Hancock's Half Hour and Till Death Do Us Part found their main overseas market in Australia rather than in other English-speaking countries. Americans either did not find them funny or else were not allowed to find them funny, or provided feeble imitations such as Archie Bunker. Only the Australians were able and willing to share the British sense of humour. The other side of this relationship is that Australian comedians such as Dick Bentley, Joy Nicholls, Bill Kerr, Rolf Harris, Barry Humphries and Kevin Bloody Wilson, having succeeded in Australia, have gone on to be successful in Britain as well. Clearly the same formulae work in both countries.
topic jokes
australia
britain
boundaries
mateship
masculinity
vomit
url https://www.europeanjournalofhumour.org/index.php/ejhr/article/view/255
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