Sonic Sociabilities and Stranger Relations in Arnaud des Pallières’ Adieu (2004)
This article addresses the way noise has been deployed within the sonic practice of French filmmaker Arnaud des Pallières in his film Adieu (2004). According to des Pallières, the politics of his filmmaking resides in the way his films reflect on experiences of which he has no lived experience. With...
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| Format: | Article |
| Language: | English |
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University College Cork
2019-12-01
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| Series: | Alphaville: Journal of Film and Screen Media |
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| Online Access: | http://www.alphavillejournal.com/Issue18/HTML/ArticleTalijan.html |