The Works of Budapest Architects Lipót Baumhorn and Károly Kovács in Novi Sad at the Turn of the Century. New Findings on the Building History

Designer of the new synagogue building complex in Novi Sad at the beginning of the 20th century, Lipót Baumhorn (1860–1932) exercised a significant influence on the architecture of the city (then part of the Austro-Hungarian monarchy and today second largest city of Serbia). Apart from the synagogue...

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Main Author: Oszkó, Ágnes Ivett
Format: Article
Language:deu
Published: International Association of Research Institutes in the History of Art (RIHA) 2017-11-01
Series:RIHA Journal
Subjects:
Online Access:https://www.riha-journal.org/articles/2017/0181-oszko
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spelling doaj-426605a284184b4ba8a70fbd81cb9b502020-11-24T20:45:03ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal 2190-33282017-11-010181The Works of Budapest Architects Lipót Baumhorn and Károly Kovács in Novi Sad at the Turn of the Century. New Findings on the Building HistoryOszkó, Ágnes IvettDesigner of the new synagogue building complex in Novi Sad at the beginning of the 20th century, Lipót Baumhorn (1860–1932) exercised a significant influence on the architecture of the city (then part of the Austro-Hungarian monarchy and today second largest city of Serbia). Apart from the synagogue, the Budapest-based architect created five more buildings in Novi Sad: the bank building in the main square, the highly representative palaces of a local furniture maker and a wine trader, and a small two-storey town house. In addition, the research I conducted in the local archives has revealed the address and fundamental details of one more Baumhorn building, considered up to now to have been demolished; this archival information was inaccessible to local researchers for language reasons. The purpose of this study is to provide a short introduction to the works of Baumhorn – known for his synagogues only – as well as of a direct colleague of his, Károly Kovács, foreman of the new synagogue complex. I find it crucial to recognize these buildings less for their stylistic features – characterizing the turn of the century – than for the role they play in the urban context, both from a typological and a social perspective. https://www.riha-journal.org/articles/2017/0181-oszkoLipót Baumhorn (1860–1932)Novi SadKároly Kovácsurban context
collection DOAJ
language deu
format Article
sources DOAJ
author Oszkó, Ágnes Ivett
spellingShingle Oszkó, Ágnes Ivett
The Works of Budapest Architects Lipót Baumhorn and Károly Kovács in Novi Sad at the Turn of the Century. New Findings on the Building History
RIHA Journal
Lipót Baumhorn (1860–1932)
Novi Sad
Károly Kovács
urban context
author_facet Oszkó, Ágnes Ivett
author_sort Oszkó, Ágnes Ivett
title The Works of Budapest Architects Lipót Baumhorn and Károly Kovács in Novi Sad at the Turn of the Century. New Findings on the Building History
title_short The Works of Budapest Architects Lipót Baumhorn and Károly Kovács in Novi Sad at the Turn of the Century. New Findings on the Building History
title_full The Works of Budapest Architects Lipót Baumhorn and Károly Kovács in Novi Sad at the Turn of the Century. New Findings on the Building History
title_fullStr The Works of Budapest Architects Lipót Baumhorn and Károly Kovács in Novi Sad at the Turn of the Century. New Findings on the Building History
title_full_unstemmed The Works of Budapest Architects Lipót Baumhorn and Károly Kovács in Novi Sad at the Turn of the Century. New Findings on the Building History
title_sort works of budapest architects lipót baumhorn and károly kovács in novi sad at the turn of the century. new findings on the building history
publisher International Association of Research Institutes in the History of Art (RIHA)
series RIHA Journal
issn 2190-3328
publishDate 2017-11-01
description Designer of the new synagogue building complex in Novi Sad at the beginning of the 20th century, Lipót Baumhorn (1860–1932) exercised a significant influence on the architecture of the city (then part of the Austro-Hungarian monarchy and today second largest city of Serbia). Apart from the synagogue, the Budapest-based architect created five more buildings in Novi Sad: the bank building in the main square, the highly representative palaces of a local furniture maker and a wine trader, and a small two-storey town house. In addition, the research I conducted in the local archives has revealed the address and fundamental details of one more Baumhorn building, considered up to now to have been demolished; this archival information was inaccessible to local researchers for language reasons. The purpose of this study is to provide a short introduction to the works of Baumhorn – known for his synagogues only – as well as of a direct colleague of his, Károly Kovács, foreman of the new synagogue complex. I find it crucial to recognize these buildings less for their stylistic features – characterizing the turn of the century – than for the role they play in the urban context, both from a typological and a social perspective.
topic Lipót Baumhorn (1860–1932)
Novi Sad
Károly Kovács
urban context
url https://www.riha-journal.org/articles/2017/0181-oszko
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