Pantomime (Not Silent Gesture) in Multimodal Communication: Evidence From Children’s Narratives

Pantomime has long been considered distinct from co-speech gesture. It has therefore been argued that pantomime cannot be part of gesture-speech integration. We examine pantomime as distinct from silent gesture, focusing on non-co-speech gestures that occur in the midst of children’s spoken narrativ...

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Main Authors: Paula Marentette, Reyhan Furman, Marcus E. Suvanto, Elena Nicoladis
Format: Article
Language:English
Published: Frontiers Media S.A. 2020-11-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fpsyg.2020.575952/full
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spelling doaj-43546d2f731a4f449fb90d5185ce2fec2020-12-08T08:39:06ZengFrontiers Media S.A.Frontiers in Psychology1664-10782020-11-011110.3389/fpsyg.2020.575952575952Pantomime (Not Silent Gesture) in Multimodal Communication: Evidence From Children’s NarrativesPaula Marentette0Reyhan Furman1Marcus E. Suvanto2Elena Nicoladis3Augustana Campus, University of Alberta, Camrose, AB, CanadaSchool of Psychology, University of Central Lancashire, Preston, United KingdomCenter for Studies in Behavioral Neuroscience, Concordia University, Montréal, QC, CanadaDepartment of Psychology, University of Alberta, Edmonton, AB, CanadaPantomime has long been considered distinct from co-speech gesture. It has therefore been argued that pantomime cannot be part of gesture-speech integration. We examine pantomime as distinct from silent gesture, focusing on non-co-speech gestures that occur in the midst of children’s spoken narratives. We propose that gestures with features of pantomime are an infrequent but meaningful component of a multimodal communicative strategy. We examined spontaneous non-co-speech representational gesture production in the narratives of 30 monolingual English-speaking children between the ages of 8- and 11-years. We compared the use of co-speech and non-co-speech gestures in both autobiographical and fictional narratives and examined viewpoint and the use of non-manual articulators, as well as the length of responses and narrative quality. The use of non-co-speech gestures was associated with longer narratives of equal or higher quality than those using only co-speech gestures. Non-co-speech gestures were most likely to adopt character-viewpoint and use non-manual articulators. The present study supports a deeper understanding of the term pantomime and its multimodal use by children in the integration of speech and gesture.https://www.frontiersin.org/articles/10.3389/fpsyg.2020.575952/fullpantomimeco-speech gesturenon-co-speech gesturemultimodal communicationnarrative, childrensilent gesture
collection DOAJ
language English
format Article
sources DOAJ
author Paula Marentette
Reyhan Furman
Marcus E. Suvanto
Elena Nicoladis
spellingShingle Paula Marentette
Reyhan Furman
Marcus E. Suvanto
Elena Nicoladis
Pantomime (Not Silent Gesture) in Multimodal Communication: Evidence From Children’s Narratives
Frontiers in Psychology
pantomime
co-speech gesture
non-co-speech gesture
multimodal communication
narrative, children
silent gesture
author_facet Paula Marentette
Reyhan Furman
Marcus E. Suvanto
Elena Nicoladis
author_sort Paula Marentette
title Pantomime (Not Silent Gesture) in Multimodal Communication: Evidence From Children’s Narratives
title_short Pantomime (Not Silent Gesture) in Multimodal Communication: Evidence From Children’s Narratives
title_full Pantomime (Not Silent Gesture) in Multimodal Communication: Evidence From Children’s Narratives
title_fullStr Pantomime (Not Silent Gesture) in Multimodal Communication: Evidence From Children’s Narratives
title_full_unstemmed Pantomime (Not Silent Gesture) in Multimodal Communication: Evidence From Children’s Narratives
title_sort pantomime (not silent gesture) in multimodal communication: evidence from children’s narratives
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2020-11-01
description Pantomime has long been considered distinct from co-speech gesture. It has therefore been argued that pantomime cannot be part of gesture-speech integration. We examine pantomime as distinct from silent gesture, focusing on non-co-speech gestures that occur in the midst of children’s spoken narratives. We propose that gestures with features of pantomime are an infrequent but meaningful component of a multimodal communicative strategy. We examined spontaneous non-co-speech representational gesture production in the narratives of 30 monolingual English-speaking children between the ages of 8- and 11-years. We compared the use of co-speech and non-co-speech gestures in both autobiographical and fictional narratives and examined viewpoint and the use of non-manual articulators, as well as the length of responses and narrative quality. The use of non-co-speech gestures was associated with longer narratives of equal or higher quality than those using only co-speech gestures. Non-co-speech gestures were most likely to adopt character-viewpoint and use non-manual articulators. The present study supports a deeper understanding of the term pantomime and its multimodal use by children in the integration of speech and gesture.
topic pantomime
co-speech gesture
non-co-speech gesture
multimodal communication
narrative, children
silent gesture
url https://www.frontiersin.org/articles/10.3389/fpsyg.2020.575952/full
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