Arts in ecology: Questions of foresight

First, to reflect upon the title, ‘Music and Arts in Action’. We might, for certain purposes, consider a coming together of art forms and disciplines. Not the crossovers, mergers and interdisciplinary dialectical fusions we are familiar with, but a convergence or, as the biochemist E. O. Wilson (199...

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Main Author: David Haley
Format: Article
Language:English
Published: University of Exeter 2008-01-01
Series:Music and Arts in Action
Subjects:
Online Access:http://www.musicandartsinaction.net/index.php/maia/article/view/artsinecology/15
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spelling doaj-4359ac1432264193bde305d2f34588422020-11-25T00:21:01ZengUniversity of ExeterMusic and Arts in Action1754-71052008-01-01112135Arts in ecology: Questions of foresightDavid HaleyFirst, to reflect upon the title, ‘Music and Arts in Action’. We might, for certain purposes, consider a coming together of art forms and disciplines. Not the crossovers, mergers and interdisciplinary dialectical fusions we are familiar with, but a convergence or, as the biochemist E. O. Wilson (1999) termed it, a ‘consilience’, a leaping together of different knowledge. Perhaps this is akin to the Nobel physicist David Bohm’s ‘Dialogue – A proposal’ (Bohm, et al, 1991), in which processes, forms and structures synthesise as a creative act?And so we move from the co-joining action of the word ‘and’ to the dynamic agency of ‘in’. Here we may find meaning in ‘…in Action’, the act, or intervention that provokes and evokes a new culture, or a new society, perhaps as the artist Joseph Beuys (1990) aimed for in his concept of ‘Social Sculpture’. Furthermore, that notion of dynamism embedded in ‘in Action’ introduces the ideas of movement, change and transformation – from one place to another, from one time to another, or from one state of being to another. ‘Far from equilibrium’ (Prigogne and Stengers, 1984), this relational interdependence may be understood as that embodied by whole systems ecology, or the process, pattern and structure of Music and Arts.Here and now is where this paper starts, by considering the ways in which this dialogue with and between Music and Arts might, in Action, create questions of foresight and ‘ennobling questions’ (Haley, 2008) that may contribute to many futures becoming. The key message is that environmental, social and cultural sustainability require creative, imaginative and positive approaches, and that the arts can contribute to these.http://www.musicandartsinaction.net/index.php/maia/article/view/artsinecology/15artsenvironmentalismecologysocial change
collection DOAJ
language English
format Article
sources DOAJ
author David Haley
spellingShingle David Haley
Arts in ecology: Questions of foresight
Music and Arts in Action
arts
environmentalism
ecology
social change
author_facet David Haley
author_sort David Haley
title Arts in ecology: Questions of foresight
title_short Arts in ecology: Questions of foresight
title_full Arts in ecology: Questions of foresight
title_fullStr Arts in ecology: Questions of foresight
title_full_unstemmed Arts in ecology: Questions of foresight
title_sort arts in ecology: questions of foresight
publisher University of Exeter
series Music and Arts in Action
issn 1754-7105
publishDate 2008-01-01
description First, to reflect upon the title, ‘Music and Arts in Action’. We might, for certain purposes, consider a coming together of art forms and disciplines. Not the crossovers, mergers and interdisciplinary dialectical fusions we are familiar with, but a convergence or, as the biochemist E. O. Wilson (1999) termed it, a ‘consilience’, a leaping together of different knowledge. Perhaps this is akin to the Nobel physicist David Bohm’s ‘Dialogue – A proposal’ (Bohm, et al, 1991), in which processes, forms and structures synthesise as a creative act?And so we move from the co-joining action of the word ‘and’ to the dynamic agency of ‘in’. Here we may find meaning in ‘…in Action’, the act, or intervention that provokes and evokes a new culture, or a new society, perhaps as the artist Joseph Beuys (1990) aimed for in his concept of ‘Social Sculpture’. Furthermore, that notion of dynamism embedded in ‘in Action’ introduces the ideas of movement, change and transformation – from one place to another, from one time to another, or from one state of being to another. ‘Far from equilibrium’ (Prigogne and Stengers, 1984), this relational interdependence may be understood as that embodied by whole systems ecology, or the process, pattern and structure of Music and Arts.Here and now is where this paper starts, by considering the ways in which this dialogue with and between Music and Arts might, in Action, create questions of foresight and ‘ennobling questions’ (Haley, 2008) that may contribute to many futures becoming. The key message is that environmental, social and cultural sustainability require creative, imaginative and positive approaches, and that the arts can contribute to these.
topic arts
environmentalism
ecology
social change
url http://www.musicandartsinaction.net/index.php/maia/article/view/artsinecology/15
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