Daring to disturb the universe: Heidegger’s authenticity and <i>The love song of J. Alfred Prufrock</i>

In Heidegger’s “Being and time” certain concepts are discussed which are central to the ontological constitution of “Dasein”. This article demonstrates the interesting way in which some of these concepts can be used in a reading of T.S. Eliot’s “The love song of J. Alfred Prufrock”. A comparative an...

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Main Author: D. Griffiths
Format: Article
Language:Afrikaans
Published: AOSIS 2009-07-01
Series:Literator
Subjects:
Online Access:https://literator.org.za/index.php/literator/article/view/81
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spelling doaj-438c187c4b964de6b8bb430c2c36945e2020-11-24T23:13:55ZafrAOSISLiterator0258-22792219-82372009-07-0130210712610.4102/lit.v30i2.8167Daring to disturb the universe: Heidegger’s authenticity and <i>The love song of J. Alfred Prufrock</i>D. Griffiths0Department of Philosophy, University of PretoriaIn Heidegger’s “Being and time” certain concepts are discussed which are central to the ontological constitution of “Dasein”. This article demonstrates the interesting way in which some of these concepts can be used in a reading of T.S. Eliot’s “The love song of J. Alfred Prufrock”. A comparative analysis is performed, explicating the relevant Heideggerian terms and then relating them to Eliot’s poem. In this way strong parallels are revealed between the two men’s respective thoughts and distinct modernist sensibilities. Prufrock, the protagonist of the poem, and the world he inhabits illustrate poetically concepts such as authenticity, inauthenticity, the “they”, idle talk and angst, which Heidegger develops in “Being and time”.https://literator.org.za/index.php/literator/article/view/81AuthenticityDas ManT S EliotMartin HeideggerPrufrock
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author D. Griffiths
spellingShingle D. Griffiths
Daring to disturb the universe: Heidegger’s authenticity and <i>The love song of J. Alfred Prufrock</i>
Literator
Authenticity
Das Man
T S Eliot
Martin Heidegger
Prufrock
author_facet D. Griffiths
author_sort D. Griffiths
title Daring to disturb the universe: Heidegger’s authenticity and <i>The love song of J. Alfred Prufrock</i>
title_short Daring to disturb the universe: Heidegger’s authenticity and <i>The love song of J. Alfred Prufrock</i>
title_full Daring to disturb the universe: Heidegger’s authenticity and <i>The love song of J. Alfred Prufrock</i>
title_fullStr Daring to disturb the universe: Heidegger’s authenticity and <i>The love song of J. Alfred Prufrock</i>
title_full_unstemmed Daring to disturb the universe: Heidegger’s authenticity and <i>The love song of J. Alfred Prufrock</i>
title_sort daring to disturb the universe: heidegger’s authenticity and <i>the love song of j. alfred prufrock</i>
publisher AOSIS
series Literator
issn 0258-2279
2219-8237
publishDate 2009-07-01
description In Heidegger’s “Being and time” certain concepts are discussed which are central to the ontological constitution of “Dasein”. This article demonstrates the interesting way in which some of these concepts can be used in a reading of T.S. Eliot’s “The love song of J. Alfred Prufrock”. A comparative analysis is performed, explicating the relevant Heideggerian terms and then relating them to Eliot’s poem. In this way strong parallels are revealed between the two men’s respective thoughts and distinct modernist sensibilities. Prufrock, the protagonist of the poem, and the world he inhabits illustrate poetically concepts such as authenticity, inauthenticity, the “they”, idle talk and angst, which Heidegger develops in “Being and time”.
topic Authenticity
Das Man
T S Eliot
Martin Heidegger
Prufrock
url https://literator.org.za/index.php/literator/article/view/81
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