The "action cam" phenomenon: a new trend in audiovisual production

When the GoPro camera was first put on the market in 2004, it brought about a new generation of ultracompact cameras designed to be attached to the user’s body, and which came to be known as action cams. Their principal characteristics were their tiny size, their high-quality images and a wide-angle...

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Main Authors: María J. Ortiz, José A. Moya
Format: Article
Language:English
Published: Universidad de Navarra 2015-06-01
Series:Communication & Society (Formerly Comunicación y Sociedad)
Subjects:
Online Access:https://revistas.unav.edu/index.php/communication-and-society/article/view/35952
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spelling doaj-44d67a0d190449e397e5e322f4211d712021-03-18T09:30:02ZengUniversidad de NavarraCommunication & Society (Formerly Comunicación y Sociedad)2386-78762015-06-01283516410.15581/003.28.3.51-6435952The "action cam" phenomenon: a new trend in audiovisual productionMaría J. Ortiz0José A. Moya1University of Alicante. University of Alicante. When the GoPro camera was first put on the market in 2004, it brought about a new generation of ultracompact cameras designed to be attached to the user’s body, and which came to be known as action cams. Their principal characteristics were their tiny size, their high-quality images and a wide-angle, fixed-focal-length lens. This combination has made it much simpler to get spectacular subjective shots with considerable depth of field. The users of this technology now form a whole generation of citizen-filmmakers who produce thousands of videos every day in a novel realistic style dominated by first person narrative. Their work is principally shared via video platforms like YouTube and Vimeo, which provide instant feedback in the form of millions of views. In this paper we analize the common features of the action cam recording style and we state these videos will bring about a redefinition of the realist visual style. Furthermore, we propose to relate the success of the action cam phenomenon with the cognitive concept of embodiment and argue that the viewer’s mirror neurons copy the real sensations and enable the viewer to experience, virtually and in safety, the same emotions felt by the person actually taking part in the action..https://revistas.unav.edu/index.php/communication-and-society/article/view/35952action camvideo platformssubjective shotembodimentrealism
collection DOAJ
language English
format Article
sources DOAJ
author María J. Ortiz
José A. Moya
spellingShingle María J. Ortiz
José A. Moya
The "action cam" phenomenon: a new trend in audiovisual production
Communication & Society (Formerly Comunicación y Sociedad)
action cam
video platforms
subjective shot
embodiment
realism
author_facet María J. Ortiz
José A. Moya
author_sort María J. Ortiz
title The "action cam" phenomenon: a new trend in audiovisual production
title_short The "action cam" phenomenon: a new trend in audiovisual production
title_full The "action cam" phenomenon: a new trend in audiovisual production
title_fullStr The "action cam" phenomenon: a new trend in audiovisual production
title_full_unstemmed The "action cam" phenomenon: a new trend in audiovisual production
title_sort "action cam" phenomenon: a new trend in audiovisual production
publisher Universidad de Navarra
series Communication & Society (Formerly Comunicación y Sociedad)
issn 2386-7876
publishDate 2015-06-01
description When the GoPro camera was first put on the market in 2004, it brought about a new generation of ultracompact cameras designed to be attached to the user’s body, and which came to be known as action cams. Their principal characteristics were their tiny size, their high-quality images and a wide-angle, fixed-focal-length lens. This combination has made it much simpler to get spectacular subjective shots with considerable depth of field. The users of this technology now form a whole generation of citizen-filmmakers who produce thousands of videos every day in a novel realistic style dominated by first person narrative. Their work is principally shared via video platforms like YouTube and Vimeo, which provide instant feedback in the form of millions of views. In this paper we analize the common features of the action cam recording style and we state these videos will bring about a redefinition of the realist visual style. Furthermore, we propose to relate the success of the action cam phenomenon with the cognitive concept of embodiment and argue that the viewer’s mirror neurons copy the real sensations and enable the viewer to experience, virtually and in safety, the same emotions felt by the person actually taking part in the action..
topic action cam
video platforms
subjective shot
embodiment
realism
url https://revistas.unav.edu/index.php/communication-and-society/article/view/35952
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