PORTUGUESE MODERNISM AND BRAZILIAN MODERNISM: WAS THERE A DIALOGUE? INTERVIEW WITH EDUARDO LOURENÇO

<p>The interview with Eduardo Loureço now published, was made as a complement to my PHD thesis held in 2007 at Pontifícia Universidade Católica do Rio de Janeiro.  Entitled “Modernismos em língua desdobrada: Portugal e Brasil”, the work intended to discuss the relations between Portuguese and...

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Main Author: Madalena Vaz Pinto
Format: Article
Language:Portuguese
Published: Universidade Federal Fluminense 2015-04-01
Series:Abril
Subjects:
Online Access:http://www.revistaabril.uff.br/index.php/revistaabril/article/view/120
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spelling doaj-459e09d115fd488caf9033cdd3d433712020-11-24T23:15:51ZporUniversidade Federal FluminenseAbril1984-20902015-04-01714234PORTUGUESE MODERNISM AND BRAZILIAN MODERNISM: WAS THERE A DIALOGUE? INTERVIEW WITH EDUARDO LOURENÇOMadalena Vaz Pinto0Universidade do Estado do Rio de Janeiro / São Gonçalo<p>The interview with Eduardo Loureço now published, was made as a complement to my PHD thesis held in 2007 at Pontifícia Universidade Católica do Rio de Janeiro.  Entitled “Modernismos em língua desdobrada: Portugal e Brasil”, the work intended to discuss the relations between Portuguese and Brazilian modernism. Two interviews were made aiming a contemporary reflection about such an important period: one with Eduardo Lourenço and the other with Silviano Santiago. Eduardo Lourenço was chosen as a critical reference seemed obvious for his important writings on the subject, but also and above all, for his fearless perspective – frequently critical – in dealing with Portuguese culture. From the interview, I picked up the parts where the comparison between the two modernisms are the main subject. </p>http://www.revistaabril.uff.br/index.php/revistaabril/article/view/120modernismo português e brasileiro, diálogo entre culturas, rasura.
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Madalena Vaz Pinto
spellingShingle Madalena Vaz Pinto
PORTUGUESE MODERNISM AND BRAZILIAN MODERNISM: WAS THERE A DIALOGUE? INTERVIEW WITH EDUARDO LOURENÇO
Abril
modernismo português e brasileiro, diálogo entre culturas, rasura.
author_facet Madalena Vaz Pinto
author_sort Madalena Vaz Pinto
title PORTUGUESE MODERNISM AND BRAZILIAN MODERNISM: WAS THERE A DIALOGUE? INTERVIEW WITH EDUARDO LOURENÇO
title_short PORTUGUESE MODERNISM AND BRAZILIAN MODERNISM: WAS THERE A DIALOGUE? INTERVIEW WITH EDUARDO LOURENÇO
title_full PORTUGUESE MODERNISM AND BRAZILIAN MODERNISM: WAS THERE A DIALOGUE? INTERVIEW WITH EDUARDO LOURENÇO
title_fullStr PORTUGUESE MODERNISM AND BRAZILIAN MODERNISM: WAS THERE A DIALOGUE? INTERVIEW WITH EDUARDO LOURENÇO
title_full_unstemmed PORTUGUESE MODERNISM AND BRAZILIAN MODERNISM: WAS THERE A DIALOGUE? INTERVIEW WITH EDUARDO LOURENÇO
title_sort portuguese modernism and brazilian modernism: was there a dialogue? interview with eduardo lourenço
publisher Universidade Federal Fluminense
series Abril
issn 1984-2090
publishDate 2015-04-01
description <p>The interview with Eduardo Loureço now published, was made as a complement to my PHD thesis held in 2007 at Pontifícia Universidade Católica do Rio de Janeiro.  Entitled “Modernismos em língua desdobrada: Portugal e Brasil”, the work intended to discuss the relations between Portuguese and Brazilian modernism. Two interviews were made aiming a contemporary reflection about such an important period: one with Eduardo Lourenço and the other with Silviano Santiago. Eduardo Lourenço was chosen as a critical reference seemed obvious for his important writings on the subject, but also and above all, for his fearless perspective – frequently critical – in dealing with Portuguese culture. From the interview, I picked up the parts where the comparison between the two modernisms are the main subject. </p>
topic modernismo português e brasileiro, diálogo entre culturas, rasura.
url http://www.revistaabril.uff.br/index.php/revistaabril/article/view/120
work_keys_str_mv AT madalenavazpinto portuguesemodernismandbrazilianmodernismwasthereadialogueinterviewwitheduardolourenco
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