Trivialized Content, Elevated From: Aesthetics of Secrecy in Turkish Politics in the 2000s

This essay will first provide a brief history of the Islamist party's coming to power by means of its effective use of a populist imagery. The paper will then focus on the emergence of a new regime of secrecy in Turkish politics by looking at two high-profile legal cases, Ergenekon and the “Cos...

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Main Author: Doruk Tatar
Format: Article
Language:English
Published: SJSU Scholarworks 2018-02-01
Series:Secrecy and Society
Subjects:
Online Access:http://scholarworks.sjsu.edu/secrecyandsociety/vol1/iss2/4/
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spelling doaj-46aa9ce26aa841ce8eaf1dc90c1929302020-11-24T20:58:24ZengSJSU ScholarworksSecrecy and Society2377-61882377-61882018-02-0112Trivialized Content, Elevated From: Aesthetics of Secrecy in Turkish Politics in the 2000sDoruk Tatar0University at Buffalo, SUNYThis essay will first provide a brief history of the Islamist party's coming to power by means of its effective use of a populist imagery. The paper will then focus on the emergence of a new regime of secrecy in Turkish politics by looking at two high-profile legal cases, Ergenekon and the “Cosmic Room,” in which one can observe the blueprints of a struggle between different factions for taking over the state. During the investigations, secret documents about the wrongdoings of the secular establishment were leaked to and widely covered by the media. Sober debates on the contents of such documents were dwarfed by the tendency to scandalize, stigmatize, and foster fascination for the purported clandestine organizations within the state in line with conspiracist aesthetics. In later sections of the paper, the elements of entertainment and seriousness of this conspiracist aesthetics are analyzed.http://scholarworks.sjsu.edu/secrecyandsociety/vol1/iss2/4/aestheticsconspiracismRecep Tayyip ErdoğansecrecyTurkey
collection DOAJ
language English
format Article
sources DOAJ
author Doruk Tatar
spellingShingle Doruk Tatar
Trivialized Content, Elevated From: Aesthetics of Secrecy in Turkish Politics in the 2000s
Secrecy and Society
aesthetics
conspiracism
Recep Tayyip Erdoğan
secrecy
Turkey
author_facet Doruk Tatar
author_sort Doruk Tatar
title Trivialized Content, Elevated From: Aesthetics of Secrecy in Turkish Politics in the 2000s
title_short Trivialized Content, Elevated From: Aesthetics of Secrecy in Turkish Politics in the 2000s
title_full Trivialized Content, Elevated From: Aesthetics of Secrecy in Turkish Politics in the 2000s
title_fullStr Trivialized Content, Elevated From: Aesthetics of Secrecy in Turkish Politics in the 2000s
title_full_unstemmed Trivialized Content, Elevated From: Aesthetics of Secrecy in Turkish Politics in the 2000s
title_sort trivialized content, elevated from: aesthetics of secrecy in turkish politics in the 2000s
publisher SJSU Scholarworks
series Secrecy and Society
issn 2377-6188
2377-6188
publishDate 2018-02-01
description This essay will first provide a brief history of the Islamist party's coming to power by means of its effective use of a populist imagery. The paper will then focus on the emergence of a new regime of secrecy in Turkish politics by looking at two high-profile legal cases, Ergenekon and the “Cosmic Room,” in which one can observe the blueprints of a struggle between different factions for taking over the state. During the investigations, secret documents about the wrongdoings of the secular establishment were leaked to and widely covered by the media. Sober debates on the contents of such documents were dwarfed by the tendency to scandalize, stigmatize, and foster fascination for the purported clandestine organizations within the state in line with conspiracist aesthetics. In later sections of the paper, the elements of entertainment and seriousness of this conspiracist aesthetics are analyzed.
topic aesthetics
conspiracism
Recep Tayyip Erdoğan
secrecy
Turkey
url http://scholarworks.sjsu.edu/secrecyandsociety/vol1/iss2/4/
work_keys_str_mv AT doruktatar trivializedcontentelevatedfromaestheticsofsecrecyinturkishpoliticsinthe2000s
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