Searching for roots of entrainment and joint action in early musical interactions

When people play music and dance together, they engage in forms of musical joint action that are often characterized by a shared sense of rhythmic timing and affective state (i.e., temporal and affective entrainment). In order to understand the origins of musical joint action, we propose a model in...

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Main Authors: Jessica ePhillips-Silver, Peter eKeller
Format: Article
Language:English
Published: Frontiers Media S.A. 2012-02-01
Series:Frontiers in Human Neuroscience
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fnhum.2012.00026/full
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spelling doaj-47092ef1e1704818928933a3a66aea6a2020-11-25T02:01:57ZengFrontiers Media S.A.Frontiers in Human Neuroscience1662-51612012-02-01610.3389/fnhum.2012.0002613773Searching for roots of entrainment and joint action in early musical interactionsJessica ePhillips-Silver0Peter eKeller1Peter eKeller2International Laboratory for Brain, Music and SoundMax Planck Institute for Human Cognitive and Brain SciencesUniversity of Western SydneyWhen people play music and dance together, they engage in forms of musical joint action that are often characterized by a shared sense of rhythmic timing and affective state (i.e., temporal and affective entrainment). In order to understand the origins of musical joint action, we propose a model in which entrainment is linked to dual mechanisms (motor resonance and action simulation), which in turn support musical behavior (imitation and complementary joint action). To illustrate this model, we consider two generic forms of joint musical behavior: chorusing and turn-taking. We explore how these common behaviors can be founded on entrainment capacities established early in human development, specifically during musical interactions between infants and their caregivers. If the roots of entrainment are found in early musical interactions which are practiced from childhood into adulthood, then we propose that the rehearsal of advanced musical ensemble skills can be considered to be a refined, mimetic form of temporal and affective entrainment whose evolution begins in infancy.http://journal.frontiersin.org/Journal/10.3389/fnhum.2012.00026/fullMusicdevelopmentJoint ActiondanceEnsemble skillsentrainment
collection DOAJ
language English
format Article
sources DOAJ
author Jessica ePhillips-Silver
Peter eKeller
Peter eKeller
spellingShingle Jessica ePhillips-Silver
Peter eKeller
Peter eKeller
Searching for roots of entrainment and joint action in early musical interactions
Frontiers in Human Neuroscience
Music
development
Joint Action
dance
Ensemble skills
entrainment
author_facet Jessica ePhillips-Silver
Peter eKeller
Peter eKeller
author_sort Jessica ePhillips-Silver
title Searching for roots of entrainment and joint action in early musical interactions
title_short Searching for roots of entrainment and joint action in early musical interactions
title_full Searching for roots of entrainment and joint action in early musical interactions
title_fullStr Searching for roots of entrainment and joint action in early musical interactions
title_full_unstemmed Searching for roots of entrainment and joint action in early musical interactions
title_sort searching for roots of entrainment and joint action in early musical interactions
publisher Frontiers Media S.A.
series Frontiers in Human Neuroscience
issn 1662-5161
publishDate 2012-02-01
description When people play music and dance together, they engage in forms of musical joint action that are often characterized by a shared sense of rhythmic timing and affective state (i.e., temporal and affective entrainment). In order to understand the origins of musical joint action, we propose a model in which entrainment is linked to dual mechanisms (motor resonance and action simulation), which in turn support musical behavior (imitation and complementary joint action). To illustrate this model, we consider two generic forms of joint musical behavior: chorusing and turn-taking. We explore how these common behaviors can be founded on entrainment capacities established early in human development, specifically during musical interactions between infants and their caregivers. If the roots of entrainment are found in early musical interactions which are practiced from childhood into adulthood, then we propose that the rehearsal of advanced musical ensemble skills can be considered to be a refined, mimetic form of temporal and affective entrainment whose evolution begins in infancy.
topic Music
development
Joint Action
dance
Ensemble skills
entrainment
url http://journal.frontiersin.org/Journal/10.3389/fnhum.2012.00026/full
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