| Summary: | Architecture is frozen music is a phrase which has been transformed by use, but it has also been taken away the importance it has for an esthetic ontology and a different conception of the world, and that is why its deepness and meaning are analyzed through Schelling, Le Corbusier and Xenakis in order to show why architecture is frozen music. Here architecture and music have a correlation that cannot be perceived at first, which places architecture itself in a quest for beauty, when in the past it only used to be taken into account in the criteria of the useful. The narrow connection between architecture and music dwells on the level of a priori regarding structure and mathematics, but also shows the relation with the sensitive, the real and the ideal, which means that it involves the fluctuation between the objective and the subjective that can be shown regarding the execution of the work.
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