Improvisation in teaching and education—roots and applications

The main aim of this review article is to understand and discuss the concept of improvisation as a professional skill for teacher educators. The literature review suggests that five academic traditions are especially relevant to examine: Rhetoric, music, theatre/drama, organizational theory and educ...

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Main Authors: Kari Holdhus, Sissel Høisæter, Kjellfrid Mæland, Vigdis Vangsnes, Knut Steinar Engelsen, Magne Espeland, Åsmund Espeland
Format: Article
Language:English
Published: Taylor & Francis Group 2016-12-01
Series:Cogent Education
Subjects:
Online Access:http://dx.doi.org/10.1080/2331186X.2016.1204142
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spelling doaj-47843a9796554ada9c54b86aec8cd7f42021-02-18T10:11:02ZengTaylor & Francis GroupCogent Education2331-186X2016-12-013110.1080/2331186X.2016.12041421204142Improvisation in teaching and education—roots and applicationsKari Holdhus0Sissel Høisæter1Kjellfrid Mæland2Vigdis Vangsnes3Knut Steinar Engelsen4Magne Espeland5Åsmund Espeland6Stord/Haugesund University CollegeStord/Haugesund University CollegeStord/Haugesund University CollegeStord/Haugesund University CollegeStord/Haugesund University CollegeStord/Haugesund University CollegeStord/Haugesund University CollegeThe main aim of this review article is to understand and discuss the concept of improvisation as a professional skill for teacher educators. The literature review suggests that five academic traditions are especially relevant to examine: Rhetoric, music, theatre/drama, organizational theory and education. The dialogic, open-scripted, interactive and responsive aspects of improvisation are common features for all the traditions we have examined and could provide a common basis for improvisation as a key curricular concept in teaching, and hence teacher education. Every day teachers are challenged to act in accordance with the situational needs and requirements arising in different pedagogical situations. We have identified four different aspects of improvisation, which appear to be of crucial importance in any discussion about improvisation as a key concept in education: (1) Communication and dialogues: Communication in improvisation can be described along a continuum of two positions: From the internal process of communication itself to the external intended result of it. The purpose can also vary from emphasizing the effect on the audience to emphasizing the process of exploration. (2) Structure and design: All traditions claim that to be a good professional improviser, you have to be aware of and be skilled in planning and structural thinking. (3) Repertoire: Learnable repertoires, shaped by content knowledge and pedagogical content knowledge, are an underlying prerequisite for improvisation in education. (4) Context: Professional improvisational practices are context dependent and domain specific to a great extent.http://dx.doi.org/10.1080/2331186X.2016.1204142improvisationdialoguestructurerepertoireteachingteacher education
collection DOAJ
language English
format Article
sources DOAJ
author Kari Holdhus
Sissel Høisæter
Kjellfrid Mæland
Vigdis Vangsnes
Knut Steinar Engelsen
Magne Espeland
Åsmund Espeland
spellingShingle Kari Holdhus
Sissel Høisæter
Kjellfrid Mæland
Vigdis Vangsnes
Knut Steinar Engelsen
Magne Espeland
Åsmund Espeland
Improvisation in teaching and education—roots and applications
Cogent Education
improvisation
dialogue
structure
repertoire
teaching
teacher education
author_facet Kari Holdhus
Sissel Høisæter
Kjellfrid Mæland
Vigdis Vangsnes
Knut Steinar Engelsen
Magne Espeland
Åsmund Espeland
author_sort Kari Holdhus
title Improvisation in teaching and education—roots and applications
title_short Improvisation in teaching and education—roots and applications
title_full Improvisation in teaching and education—roots and applications
title_fullStr Improvisation in teaching and education—roots and applications
title_full_unstemmed Improvisation in teaching and education—roots and applications
title_sort improvisation in teaching and education—roots and applications
publisher Taylor & Francis Group
series Cogent Education
issn 2331-186X
publishDate 2016-12-01
description The main aim of this review article is to understand and discuss the concept of improvisation as a professional skill for teacher educators. The literature review suggests that five academic traditions are especially relevant to examine: Rhetoric, music, theatre/drama, organizational theory and education. The dialogic, open-scripted, interactive and responsive aspects of improvisation are common features for all the traditions we have examined and could provide a common basis for improvisation as a key curricular concept in teaching, and hence teacher education. Every day teachers are challenged to act in accordance with the situational needs and requirements arising in different pedagogical situations. We have identified four different aspects of improvisation, which appear to be of crucial importance in any discussion about improvisation as a key concept in education: (1) Communication and dialogues: Communication in improvisation can be described along a continuum of two positions: From the internal process of communication itself to the external intended result of it. The purpose can also vary from emphasizing the effect on the audience to emphasizing the process of exploration. (2) Structure and design: All traditions claim that to be a good professional improviser, you have to be aware of and be skilled in planning and structural thinking. (3) Repertoire: Learnable repertoires, shaped by content knowledge and pedagogical content knowledge, are an underlying prerequisite for improvisation in education. (4) Context: Professional improvisational practices are context dependent and domain specific to a great extent.
topic improvisation
dialogue
structure
repertoire
teaching
teacher education
url http://dx.doi.org/10.1080/2331186X.2016.1204142
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