Fundamentos para una iconología audiovisual
FOUNDATIONS FOR AN AUDIOVISUAL ICONOLOGY: Films and television programs are today privileged media which publicly institutionalize the concepts and appraisals of human individuals and their lives within society. In this work, the approach is that of probing the feasibility of their study from a symb...
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Universidad de Navarra
1988-06-01
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Online Access: | https://revistas.unav.edu/index.php/communication-and-society/article/view/35484 |
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doaj-4866e74ee5bd480a82bcaa31a3a9b9c42021-04-28T12:18:04ZengUniversidad de NavarraCommunication & Society (Formerly Comunicación y Sociedad)2386-78761988-06-0111517135484Fundamentos para una iconología audiovisualJuan José García-Noblejas0Universidad de Navarra. FOUNDATIONS FOR AN AUDIOVISUAL ICONOLOGY: Films and television programs are today privileged media which publicly institutionalize the concepts and appraisals of human individuals and their lives within society. In this work, the approach is that of probing the feasibility of their study from a symbolic perspective which updates the allegorical criteria of classical Iconology which tends to matters of this nature. In order to carry out this task it is convenient to maintain two open perspectives: a theoretical approach which is oriented towards the aesthetics of reception, and another approach which bears upon creativity within the production of statements in movies and television. From this dual perspective Iconology presents itself as an Epistemology of the audiovisual culture.https://revistas.unav.edu/index.php/communication-and-society/article/view/35484iconologíaaudiovisual |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Juan José García-Noblejas |
spellingShingle |
Juan José García-Noblejas Fundamentos para una iconología audiovisual Communication & Society (Formerly Comunicación y Sociedad) iconología audiovisual |
author_facet |
Juan José García-Noblejas |
author_sort |
Juan José García-Noblejas |
title |
Fundamentos para una iconología audiovisual |
title_short |
Fundamentos para una iconología audiovisual |
title_full |
Fundamentos para una iconología audiovisual |
title_fullStr |
Fundamentos para una iconología audiovisual |
title_full_unstemmed |
Fundamentos para una iconología audiovisual |
title_sort |
fundamentos para una iconología audiovisual |
publisher |
Universidad de Navarra |
series |
Communication & Society (Formerly Comunicación y Sociedad) |
issn |
2386-7876 |
publishDate |
1988-06-01 |
description |
FOUNDATIONS FOR AN AUDIOVISUAL ICONOLOGY: Films and television programs are today privileged media which publicly institutionalize the concepts and appraisals of human individuals and their lives within society. In this work, the approach is that of probing the feasibility of their study from a symbolic perspective which updates the allegorical criteria of classical Iconology which tends to matters of this nature. In order to carry out this task it is convenient to maintain two open perspectives: a theoretical approach which is oriented towards the aesthetics of reception, and another approach which bears upon creativity within the production of statements in movies and television. From this dual perspective Iconology presents itself as an Epistemology of the audiovisual culture. |
topic |
iconología audiovisual |
url |
https://revistas.unav.edu/index.php/communication-and-society/article/view/35484 |
work_keys_str_mv |
AT juanjosegarcianoblejas fundamentosparaunaiconologiaaudiovisual |
_version_ |
1721503565583745024 |