Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts

The adaptation of the short story entitled “Auggie Wren’s Christmas Story” (1990) gathered the writer Paul Auster and the director Wayne Wang around a film project that allowed them to share their artistic practices in a collaborative work. This paper examines the question that underpins the narrati...

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Main Author: Delphine Letort
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2011-04-01
Series:Transatlantica : Revue d'Études Américaines
Subjects:
Online Access:http://journals.openedition.org/transatlantica/5113
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spelling doaj-487b2df8187245bebc72fa8ccc63aea92021-09-02T17:25:13ZengAssociation Française d'Etudes AméricainesTransatlantica : Revue d'Études Américaines1765-27662011-04-01210.4000/transatlantica.5113Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des artsDelphine LetortThe adaptation of the short story entitled “Auggie Wren’s Christmas Story” (1990) gathered the writer Paul Auster and the director Wayne Wang around a film project that allowed them to share their artistic practices in a collaborative work. This paper examines the question that underpins the narrative of the short-story by grappling with the appropriations of the real in other artistic modes. Paul Auster’s first encounter with the cinema points out the convergence between aural writing and cinematic writing, evoked through the double figure of the writer and that of the tale-teller/photographer in both the film and the short story.http://journals.openedition.org/transatlantica/5113Paul AusterWayne Wangindependent cinemaphotographyinterpenetration between the arts.
collection DOAJ
language English
format Article
sources DOAJ
author Delphine Letort
spellingShingle Delphine Letort
Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts
Transatlantica : Revue d'Études Américaines
Paul Auster
Wayne Wang
independent cinema
photography
interpenetration between the arts.
author_facet Delphine Letort
author_sort Delphine Letort
title Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts
title_short Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts
title_full Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts
title_fullStr Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts
title_full_unstemmed Smoke (Paul Auster et Wayne Wang, 1995) : une œuvre à la croisée des arts
title_sort smoke (paul auster et wayne wang, 1995) : une œuvre à la croisée des arts
publisher Association Française d'Etudes Américaines
series Transatlantica : Revue d'Études Américaines
issn 1765-2766
publishDate 2011-04-01
description The adaptation of the short story entitled “Auggie Wren’s Christmas Story” (1990) gathered the writer Paul Auster and the director Wayne Wang around a film project that allowed them to share their artistic practices in a collaborative work. This paper examines the question that underpins the narrative of the short-story by grappling with the appropriations of the real in other artistic modes. Paul Auster’s first encounter with the cinema points out the convergence between aural writing and cinematic writing, evoked through the double figure of the writer and that of the tale-teller/photographer in both the film and the short story.
topic Paul Auster
Wayne Wang
independent cinema
photography
interpenetration between the arts.
url http://journals.openedition.org/transatlantica/5113
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