War Trauma, Collective Memory, and Cultural Productions in Conflict Zones: Kashmir in Focus

• Main Authors: Samia Hanif, Inayat Ullah
• Format: Article
• Language: English
• Published: SAGE Publishing 2018-09-01
• Series: SAGE Open
• Online Access: https://doi.org/10.1177/2158244018800912

Euro-American exclusivity has mostly been responsible for eclipsing the universalizing appeal of trauma studies. In a bid to cater for trauma accounts of the Global South, the present study attempts to look into the trauma of people living in Kashmir, a conflict zone in the middle of the third-world Asian countries. Kashmir is one of the disputed regions and a center point of conflict between India and Pakistan since the partition of the Indian subcontinent in 1947. The political turbulence as well as the resulting militarization has rendered the entire Kashmiri community listless and prone to traumatic experiences. Despite the serious nature of the traumatic experiences of the people living in Kashmir, and as depicted in the literature produced therein, little scholarly attention has been given to it to voice out these accounts, which are necessary for claiming the truthful depiction of the Kashmiris. This article uses Jeffery C. Alexander et al.’s Cultural Trauma and Collective Identity and Kai. T. Erikson’s Collective Trauma as the theoretical framework to analyze the selected Kashmiri Anglophone literary text titled The Collaborator by Mirza Waheed. The study finds that the traumatic memories of Kashmiri people, as a community, are no different from the likewise traumatized people of the Global North. Here, the Kashmiri narrative takes the responsibility of presenting the reality of life. The investigation concludes that fictional narratives, through memory of the past, bring a compelling tale of eternal suffering, establishing the fact that it is not the individual that must bear the moral responsibility; rather, it should be the collective.