The effect of musical practice on gesture/sound pairing

Learning to play a musical instrument is a demanding process requiring years of intense practice. Dramatic changes in brain connectivity, volume and functionality have been shown in skilled musicians. It is thought that music learning involves the formation of novel audio visuomotor associations, bu...

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Main Authors: Alice Mado eProverbio, Lapo eAttardo, Matteo eCozzi, Alberto eZani
Format: Article
Language:English
Published: Frontiers Media S.A. 2015-04-01
Series:Frontiers in Psychology
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fpsyg.2015.00376/full
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spelling doaj-4bcad690155540a0b2de3a80ce777fd22020-11-24T22:27:34ZengFrontiers Media S.A.Frontiers in Psychology1664-10782015-04-01610.3389/fpsyg.2015.00376126311The effect of musical practice on gesture/sound pairingAlice Mado eProverbio0Lapo eAttardo1Matteo eCozzi2Alberto eZani3Università Milano BicoccaUniversità Milano BicoccaUniversità Milano BicoccaCNRLearning to play a musical instrument is a demanding process requiring years of intense practice. Dramatic changes in brain connectivity, volume and functionality have been shown in skilled musicians. It is thought that music learning involves the formation of novel audio visuomotor associations, but not much is known about the gradual acquisition of this ability. In the present study, we investigated whether formal music training enhances audiovisual multisensory processing. To this end, pupils at different stages of education were examined based on the hypothesis that the strength of audio/visuomotor associations would be augmented as a function of the number of years of conservatory study (expertise). The study participants were violin and clarinet students of pre-academic and academic levels and of different chronological ages, ages of acquisition and academic levels. A violinist and a clarinetist each played the same score, and each participant viewed the video corresponding to his or her instrument. Pitch, intensity, rhythm and sound duration were matched across instruments. In half of the trials, the soundtrack did not match (in pitch) the corresponding musical gestures. Data analysis indicated a correlation between the number of years of formal training (expertise) and the ability to detect an audiomotor incongruence in music performance (relative to the musical instrument practiced), thus suggesting a direct correlation between knowing how to play and perceptual sensitivity.http://journal.frontiersin.org/Journal/10.3389/fpsyg.2015.00376/fullMirror Neuronsmusic learningauditory processingvisual feedbackMultimodal coding
collection DOAJ
language English
format Article
sources DOAJ
author Alice Mado eProverbio
Lapo eAttardo
Matteo eCozzi
Alberto eZani
spellingShingle Alice Mado eProverbio
Lapo eAttardo
Matteo eCozzi
Alberto eZani
The effect of musical practice on gesture/sound pairing
Frontiers in Psychology
Mirror Neurons
music learning
auditory processing
visual feedback
Multimodal coding
author_facet Alice Mado eProverbio
Lapo eAttardo
Matteo eCozzi
Alberto eZani
author_sort Alice Mado eProverbio
title The effect of musical practice on gesture/sound pairing
title_short The effect of musical practice on gesture/sound pairing
title_full The effect of musical practice on gesture/sound pairing
title_fullStr The effect of musical practice on gesture/sound pairing
title_full_unstemmed The effect of musical practice on gesture/sound pairing
title_sort effect of musical practice on gesture/sound pairing
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2015-04-01
description Learning to play a musical instrument is a demanding process requiring years of intense practice. Dramatic changes in brain connectivity, volume and functionality have been shown in skilled musicians. It is thought that music learning involves the formation of novel audio visuomotor associations, but not much is known about the gradual acquisition of this ability. In the present study, we investigated whether formal music training enhances audiovisual multisensory processing. To this end, pupils at different stages of education were examined based on the hypothesis that the strength of audio/visuomotor associations would be augmented as a function of the number of years of conservatory study (expertise). The study participants were violin and clarinet students of pre-academic and academic levels and of different chronological ages, ages of acquisition and academic levels. A violinist and a clarinetist each played the same score, and each participant viewed the video corresponding to his or her instrument. Pitch, intensity, rhythm and sound duration were matched across instruments. In half of the trials, the soundtrack did not match (in pitch) the corresponding musical gestures. Data analysis indicated a correlation between the number of years of formal training (expertise) and the ability to detect an audiomotor incongruence in music performance (relative to the musical instrument practiced), thus suggesting a direct correlation between knowing how to play and perceptual sensitivity.
topic Mirror Neurons
music learning
auditory processing
visual feedback
Multimodal coding
url http://journal.frontiersin.org/Journal/10.3389/fpsyg.2015.00376/full
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