Photopoetics: Sisyphus Outdone, the Apostrophal Subject and the Elusive Image
In Sisyphus Outdone (2012), Nathanaël’s particular tribute to Albert Camus’ The Myth of Sisyphus (1942), the reader faces a challenging hybrid text in which the verbal and visual dimensions intermingle to produce an idiosyncratic type of narrative. Fragmentary, elliptical, a web of quotations, dictu...
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| Format: | Article |
| Language: | English |
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De Gruyter
2020-06-01
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| Series: | Open Cultural Studies |
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| Online Access: | https://doi.org/10.1515/culture-2020-0008 |