The Novel Ave Maria: The Legacy of Cinema in the Construction of Tanizaki’s Literary World of Dreams
The aim of my paper is to highlight the influence of cinema and of visual techniques in Tanizaki Jun’ichirō’s narratives of his Yokohama period (1921–23). Famous novels by Tanizaki have been adapted for the screen, and they are widely studied by critics of the history of Japanese cinema. My perspect...
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Universität Heidelberg - Japanologie
2017-10-01
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Online Access: | https://crossasia-journals.ub.uni-heidelberg.de/index.php/bunron/article/view/840 |
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doaj-4d9d89468be94c54b63a41368a7a53b12021-02-24T13:05:41ZdeuUniversität Heidelberg - JapanologieBunron2199-27542017-10-014678610.11588/br.2017.4.840840The Novel Ave Maria: The Legacy of Cinema in the Construction of Tanizaki’s Literary World of DreamsLuisa Bienati0Ca' Foscari University of VeniceThe aim of my paper is to highlight the influence of cinema and of visual techniques in Tanizaki Jun’ichirō’s narratives of his Yokohama period (1921–23). Famous novels by Tanizaki have been adapted for the screen, and they are widely studied by critics of the history of Japanese cinema. My perspective is not these filmic adaptations, nor the correlations between text and film. I will focus instead on the impact of Tanizaki’s experience of cinematic production during his stay in Yokohama on his narrative style. In Yokohama he actively cooperated with the Taishō Katsuei film company and with the director Thomas (Kisaburō) Kurihara after the latter’s return to Japan from Hollywood. The focus of my paper is on the novel Ave Maria (1923), which has not yet been studied from this point of view, and on the effect cinematic techniques had on Tanizaki’s literary world of dreams. I will examine in particular the references to films and Hollywood actresses, literary descriptions influenced by close-ups and motion pictures as well as the black and white cinema as sensual and aesthetic experiences of light and shadow.https://crossasia-journals.ub.uni-heidelberg.de/index.php/bunron/article/view/840modern literaturetaisho period |
collection |
DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Luisa Bienati |
spellingShingle |
Luisa Bienati The Novel Ave Maria: The Legacy of Cinema in the Construction of Tanizaki’s Literary World of Dreams Bunron modern literature taisho period |
author_facet |
Luisa Bienati |
author_sort |
Luisa Bienati |
title |
The Novel Ave Maria: The Legacy of Cinema in the Construction of Tanizaki’s Literary World of Dreams |
title_short |
The Novel Ave Maria: The Legacy of Cinema in the Construction of Tanizaki’s Literary World of Dreams |
title_full |
The Novel Ave Maria: The Legacy of Cinema in the Construction of Tanizaki’s Literary World of Dreams |
title_fullStr |
The Novel Ave Maria: The Legacy of Cinema in the Construction of Tanizaki’s Literary World of Dreams |
title_full_unstemmed |
The Novel Ave Maria: The Legacy of Cinema in the Construction of Tanizaki’s Literary World of Dreams |
title_sort |
novel ave maria: the legacy of cinema in the construction of tanizaki’s literary world of dreams |
publisher |
Universität Heidelberg - Japanologie |
series |
Bunron |
issn |
2199-2754 |
publishDate |
2017-10-01 |
description |
The aim of my paper is to highlight the influence of cinema and of visual techniques in Tanizaki Jun’ichirō’s narratives of his Yokohama period (1921–23). Famous novels by Tanizaki have been adapted for the screen, and they are widely studied by critics of the history of Japanese cinema. My perspective is not these filmic adaptations, nor the correlations between text and film. I will focus instead on the impact of Tanizaki’s experience of cinematic production during his stay in Yokohama on his narrative style. In Yokohama he actively cooperated with the Taishō Katsuei film company and with the director Thomas (Kisaburō) Kurihara after the latter’s return to Japan from Hollywood. The focus of my paper is on the novel Ave Maria (1923), which has not yet been studied from this point of view, and on the effect cinematic techniques had on Tanizaki’s literary world of dreams. I will examine in particular the references to films and Hollywood actresses, literary descriptions influenced by close-ups and motion pictures as well as the black and white cinema as sensual and aesthetic experiences of light and shadow. |
topic |
modern literature taisho period |
url |
https://crossasia-journals.ub.uni-heidelberg.de/index.php/bunron/article/view/840 |
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AT luisabienati thenovelavemariathelegacyofcinemaintheconstructionoftanizakisliteraryworldofdreams AT luisabienati novelavemariathelegacyofcinemaintheconstructionoftanizakisliteraryworldofdreams |
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