Iran, America and Iranian American Community in Firoozeh Jazayeri Dumas’ Funny in Farsi

Post 9/11 the United States of America concerns the reconstruction of already demonized identities of Arabs and Middle-eastern cultures. Postcolonial works reside in their rendering a tragic or serious image of Middle Easterners to bring the Western (American) audience into sympathizing with the Mid...

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Bibliographic Details
Main Authors: Zohreh Ramin, Muhammad Sayyaf Jalalizadeh
Format: Article
Language:English
Published: Petra Christian University 2014-01-01
Series:K@ta: A Biannual Publication on the Study of Language and Literature
Subjects:
Online Access:http://puslit2.petra.ac.id/ejournal/index.php/ing/article/view/19361
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spelling doaj-4dec4a08c5fd43d0b6ab8860cc35abb82020-11-25T00:27:34ZengPetra Christian UniversityK@ta: A Biannual Publication on the Study of Language and Literature1411-26392302-62942014-01-01162101108Iran, America and Iranian American Community in Firoozeh Jazayeri Dumas’ Funny in FarsiZohreh Ramin0Muhammad Sayyaf Jalalizadeh1 Faculty of Foreign Languages and Literatures, University of Tehran, Tehran Faculty of Foreign Languages and Literatures, University of Tehran, Tehran Post 9/11 the United States of America concerns the reconstruction of already demonized identities of Arabs and Middle-eastern cultures. Postcolonial works reside in their rendering a tragic or serious image of Middle Easterners to bring the Western (American) audience into sympathizing with the Middle Eastern ethnicities. Could it be the case that a fundamentally humorous (not derogatory) depiction might contribute to easing such cultural tensions? Firoozeh Jazayeri Dumas’ works stand out as critically acclaimed and successful works familiarizing the American audience with the more humane, likeable, sweet and funny aspects of the Iranians and Iranian culture, and the hardships of being an Iranian immigrant and becoming a hybrid individual. This article explores the already-hybridized self and psyche of Firoozeh as an Iranian American. She writes about her mother land and her residence country and comparing the way she has written about them can help readers understand how one can make peace between different parts of her identity.http://puslit2.petra.ac.id/ejournal/index.php/ing/article/view/19361Postcolonial identitydemonizationhybriditypost 9/11
collection DOAJ
language English
format Article
sources DOAJ
author Zohreh Ramin
Muhammad Sayyaf Jalalizadeh
spellingShingle Zohreh Ramin
Muhammad Sayyaf Jalalizadeh
Iran, America and Iranian American Community in Firoozeh Jazayeri Dumas’ Funny in Farsi
K@ta: A Biannual Publication on the Study of Language and Literature
Postcolonial identity
demonization
hybridity
post 9/11
author_facet Zohreh Ramin
Muhammad Sayyaf Jalalizadeh
author_sort Zohreh Ramin
title Iran, America and Iranian American Community in Firoozeh Jazayeri Dumas’ Funny in Farsi
title_short Iran, America and Iranian American Community in Firoozeh Jazayeri Dumas’ Funny in Farsi
title_full Iran, America and Iranian American Community in Firoozeh Jazayeri Dumas’ Funny in Farsi
title_fullStr Iran, America and Iranian American Community in Firoozeh Jazayeri Dumas’ Funny in Farsi
title_full_unstemmed Iran, America and Iranian American Community in Firoozeh Jazayeri Dumas’ Funny in Farsi
title_sort iran, america and iranian american community in firoozeh jazayeri dumas’ funny in farsi
publisher Petra Christian University
series K@ta: A Biannual Publication on the Study of Language and Literature
issn 1411-2639
2302-6294
publishDate 2014-01-01
description Post 9/11 the United States of America concerns the reconstruction of already demonized identities of Arabs and Middle-eastern cultures. Postcolonial works reside in their rendering a tragic or serious image of Middle Easterners to bring the Western (American) audience into sympathizing with the Middle Eastern ethnicities. Could it be the case that a fundamentally humorous (not derogatory) depiction might contribute to easing such cultural tensions? Firoozeh Jazayeri Dumas’ works stand out as critically acclaimed and successful works familiarizing the American audience with the more humane, likeable, sweet and funny aspects of the Iranians and Iranian culture, and the hardships of being an Iranian immigrant and becoming a hybrid individual. This article explores the already-hybridized self and psyche of Firoozeh as an Iranian American. She writes about her mother land and her residence country and comparing the way she has written about them can help readers understand how one can make peace between different parts of her identity.
topic Postcolonial identity
demonization
hybridity
post 9/11
url http://puslit2.petra.ac.id/ejournal/index.php/ing/article/view/19361
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