Loving the alien. Ecofeminism, animals, and Anna Maria Ortese’s poetics of otherness
In this essay, I analyze how literary imagination can be used as a tool for theoretically exploring the notions of otherness, vulnerability, and human/nonhuman relationships in the framework of feminist ecocriticism. In particular, I examine how a precise literary genre, namely, magical realism, can...
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| Format: | Article |
| Language: | Spanish |
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Universidad de Alicante
2013-12-01
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| Series: | Feminismo/s |
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| Online Access: | https://feminismos.ua.es/article/view/2013-n22-loving-the-alien-ecofeminism-animals-and-anna-maria-orteses-poetics-of-otherness |
| Summary: | In this essay, I analyze how literary imagination can be used as a tool for theoretically exploring the notions of otherness, vulnerability, and human/nonhuman relationships in the framework of feminist ecocriticism. In particular, I examine how a precise literary genre, namely, magical realism, can function as a diffracting lens to make the hybridizations and the overlapping of human, nonhuman, and gendered bodies, visible through narrative strategies that facilitate our affective response. Building my theoretical discourse mostly on feminist animal studies, material ecocriticism, and posthumanism, I consider the work of the Italian writer Anna Maria Ortese (1914-1998) and her “creaturely poetics of otherness,” as exemplified in particular by her novel The Iguana. |
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| ISSN: | 1696-8166 1989-9998 |