Exhibiting Yugoslavia
By using memory theory, critical discourse and multimodal analysis, the article examines the narratives of the exhibition “Yugoslavia: From the Beginning to the End” held at the Museum of Yugoslav History in Belgrade in order to identify and analyze the Museum’s discourse in the post-Yugoslav transi...
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University of Ljubljana
2015-05-01
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doaj-4ec86118cf6d4978aec1f9ca639a56e42020-11-24T22:02:35ZengUniversity of LjubljanaDružboslovne Razprave0352-36080352-36082015-05-013281724Exhibiting YugoslaviaMilica PopovićBy using memory theory, critical discourse and multimodal analysis, the article examines the narratives of the exhibition “Yugoslavia: From the Beginning to the End” held at the Museum of Yugoslav History in Belgrade in order to identify and analyze the Museum’s discourse in the post-Yugoslav transitional context of the Republic of Serbia. The article tries to demystify the hidden text on Yugoslavia in the exhibition’s catalog and on the Museum’s website. Within the complex context of public narratives on Yugoslav history, and of the position of the Museum as a public institution, the exhibition shows strong convergence with revisionist hegemonic narratives, whilst simultaneously creating a dialogue with counter-memory and nostalgic narratives and thus opening its space up for further conversationson the Yugoslav collective memory.http://druzboslovne-razprave.org/clanek/pdf/2016/81/1/Museum of Yugoslav Historypost-Yugoslav narrativesexhibition discoursescollective memoryrepresentation of the past |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Milica Popović |
spellingShingle |
Milica Popović Exhibiting Yugoslavia Družboslovne Razprave Museum of Yugoslav History post-Yugoslav narratives exhibition discourses collective memory representation of the past |
author_facet |
Milica Popović |
author_sort |
Milica Popović |
title |
Exhibiting Yugoslavia |
title_short |
Exhibiting Yugoslavia |
title_full |
Exhibiting Yugoslavia |
title_fullStr |
Exhibiting Yugoslavia |
title_full_unstemmed |
Exhibiting Yugoslavia |
title_sort |
exhibiting yugoslavia |
publisher |
University of Ljubljana |
series |
Družboslovne Razprave |
issn |
0352-3608 0352-3608 |
publishDate |
2015-05-01 |
description |
By using memory theory, critical discourse and multimodal analysis, the article examines the narratives of the exhibition “Yugoslavia: From the Beginning to the End” held at the Museum of Yugoslav History in Belgrade in order to identify and analyze the Museum’s discourse in the post-Yugoslav transitional context of the Republic of Serbia. The article tries to demystify the hidden text on Yugoslavia in the exhibition’s catalog and on the Museum’s website. Within the complex context of public narratives on Yugoslav history, and of the position of the Museum as a public institution, the exhibition shows strong convergence with revisionist hegemonic narratives, whilst simultaneously creating a dialogue with counter-memory and nostalgic narratives and thus opening its space up for further conversationson the Yugoslav collective memory. |
topic |
Museum of Yugoslav History post-Yugoslav narratives exhibition discourses collective memory representation of the past |
url |
http://druzboslovne-razprave.org/clanek/pdf/2016/81/1/ |
work_keys_str_mv |
AT milicapopovic exhibitingyugoslavia |
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1725835014853099520 |