Exhibiting Yugoslavia

By using memory theory, critical discourse and multimodal analysis, the article examines the narratives of the exhibition “Yugoslavia: From the Beginning to the End” held at the Museum of Yugoslav History in Belgrade in order to identify and analyze the Museum’s discourse in the post-Yugoslav transi...

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Main Author: Milica Popović
Format: Article
Language:English
Published: University of Ljubljana 2015-05-01
Series:Družboslovne Razprave
Subjects:
Online Access:http://druzboslovne-razprave.org/clanek/pdf/2016/81/1/
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spelling doaj-4ec86118cf6d4978aec1f9ca639a56e42020-11-24T22:02:35ZengUniversity of LjubljanaDružboslovne Razprave0352-36080352-36082015-05-013281724Exhibiting YugoslaviaMilica PopovićBy using memory theory, critical discourse and multimodal analysis, the article examines the narratives of the exhibition “Yugoslavia: From the Beginning to the End” held at the Museum of Yugoslav History in Belgrade in order to identify and analyze the Museum’s discourse in the post-Yugoslav transitional context of the Republic of Serbia. The article tries to demystify the hidden text on Yugoslavia in the exhibition’s catalog and on the Museum’s website. Within the complex context of public narratives on Yugoslav history, and of the position of the Museum as a public institution, the exhibition shows strong convergence with revisionist hegemonic narratives, whilst simultaneously creating a dialogue with counter-memory and nostalgic narratives and thus opening its space up for further conversationson the Yugoslav collective memory.http://druzboslovne-razprave.org/clanek/pdf/2016/81/1/Museum of Yugoslav Historypost-Yugoslav narrativesexhibition discoursescollective memoryrepresentation of the past
collection DOAJ
language English
format Article
sources DOAJ
author Milica Popović
spellingShingle Milica Popović
Exhibiting Yugoslavia
Družboslovne Razprave
Museum of Yugoslav History
post-Yugoslav narratives
exhibition discourses
collective memory
representation of the past
author_facet Milica Popović
author_sort Milica Popović
title Exhibiting Yugoslavia
title_short Exhibiting Yugoslavia
title_full Exhibiting Yugoslavia
title_fullStr Exhibiting Yugoslavia
title_full_unstemmed Exhibiting Yugoslavia
title_sort exhibiting yugoslavia
publisher University of Ljubljana
series Družboslovne Razprave
issn 0352-3608
0352-3608
publishDate 2015-05-01
description By using memory theory, critical discourse and multimodal analysis, the article examines the narratives of the exhibition “Yugoslavia: From the Beginning to the End” held at the Museum of Yugoslav History in Belgrade in order to identify and analyze the Museum’s discourse in the post-Yugoslav transitional context of the Republic of Serbia. The article tries to demystify the hidden text on Yugoslavia in the exhibition’s catalog and on the Museum’s website. Within the complex context of public narratives on Yugoslav history, and of the position of the Museum as a public institution, the exhibition shows strong convergence with revisionist hegemonic narratives, whilst simultaneously creating a dialogue with counter-memory and nostalgic narratives and thus opening its space up for further conversationson the Yugoslav collective memory.
topic Museum of Yugoslav History
post-Yugoslav narratives
exhibition discourses
collective memory
representation of the past
url http://druzboslovne-razprave.org/clanek/pdf/2016/81/1/
work_keys_str_mv AT milicapopovic exhibitingyugoslavia
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