Western Audiovisual Stereotypes of Russian Image: the Ideological Confrontation Epoch (1946-1991)
This article included the analysis of the Western audiovisual stereotypes of Russian image from the period of ideological confrontation (1946-1991): ideological and social trends, classification of the contents’ models and genres. The content analysis of the western media texts of the period of the...
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2013-01-01
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Online Access: | http://www.erjournal.ru/pdf.html?n=1371290472.pdf |
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doaj-4f0309a6c8454625b14218960e263ed62020-11-25T00:38:13ZrusAcademic Publishing House ResearcherEvropejskij Issledovatelʹ2219-82292224-01362013-01-01515-415651580Western Audiovisual Stereotypes of Russian Image: the Ideological Confrontation Epoch (1946-1991)Alexander FedorovThis article included the analysis of the Western audiovisual stereotypes of Russian image from the period of ideological confrontation (1946-1991): ideological and social trends, classification of the contents’ models and genres. The content analysis of the western media texts of the period of the “cold war” (1946-1991) allows to present their main plot diagrams as follows: Soviet spies penetrate into the territory of the USA/Western country to commit diversion and/or to worm out military secrets; the USSR prepares a covert attack on the territory of the USA/Western world, creating secret bases with nuclear weapons; the inhuman Soviet totalitarian regime oppresses its own people or the people of any other country; Nonconformity leaves/attempts to leave the USSR where, in their opinion, democracy and individual freedom are being oppressed; common western people explain to Soviet military/civilian visitors who were mislead by propaganda that the USA/Western country is the stronghold of friendship and world-wide prosperity and peace; obstacles connected with the ideological confrontation between the USSR and the Western world appear on the way of a loving couple.http://www.erjournal.ru/pdf.html?n=1371290472.pdfcold warWestern filmsscreenimage of RussiaUSAideological confrontationmedia studiesfilm studiesspyenemy |
collection |
DOAJ |
language |
Russian |
format |
Article |
sources |
DOAJ |
author |
Alexander Fedorov |
spellingShingle |
Alexander Fedorov Western Audiovisual Stereotypes of Russian Image: the Ideological Confrontation Epoch (1946-1991) Evropejskij Issledovatelʹ cold war Western films screen image of Russia USA ideological confrontation media studies film studies spy enemy |
author_facet |
Alexander Fedorov |
author_sort |
Alexander Fedorov |
title |
Western Audiovisual Stereotypes of Russian Image: the Ideological Confrontation Epoch (1946-1991) |
title_short |
Western Audiovisual Stereotypes of Russian Image: the Ideological Confrontation Epoch (1946-1991) |
title_full |
Western Audiovisual Stereotypes of Russian Image: the Ideological Confrontation Epoch (1946-1991) |
title_fullStr |
Western Audiovisual Stereotypes of Russian Image: the Ideological Confrontation Epoch (1946-1991) |
title_full_unstemmed |
Western Audiovisual Stereotypes of Russian Image: the Ideological Confrontation Epoch (1946-1991) |
title_sort |
western audiovisual stereotypes of russian image: the ideological confrontation epoch (1946-1991) |
publisher |
Academic Publishing House Researcher |
series |
Evropejskij Issledovatelʹ |
issn |
2219-8229 2224-0136 |
publishDate |
2013-01-01 |
description |
This article included the analysis of the Western audiovisual stereotypes of Russian image from the period of ideological confrontation (1946-1991): ideological and social trends, classification of the contents’ models and genres. The content analysis of the western media texts of the period of the “cold war” (1946-1991) allows to present their main plot diagrams as follows: Soviet spies penetrate into the territory of the USA/Western country to commit diversion and/or to worm out military secrets; the USSR prepares a covert attack on the territory of the USA/Western world, creating secret bases with nuclear weapons; the inhuman Soviet totalitarian regime oppresses its own people or the people of any other country; Nonconformity leaves/attempts to leave the USSR where, in their opinion, democracy and individual freedom are being oppressed; common western people explain to Soviet military/civilian visitors who were mislead by propaganda that the USA/Western country is the stronghold of friendship and world-wide prosperity and peace; obstacles connected with the ideological confrontation between the USSR and the Western world appear on the way of a loving couple. |
topic |
cold war Western films screen image of Russia USA ideological confrontation media studies film studies spy enemy |
url |
http://www.erjournal.ru/pdf.html?n=1371290472.pdf |
work_keys_str_mv |
AT alexanderfedorov westernaudiovisualstereotypesofrussianimagetheideologicalconfrontationepoch19461991 |
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