The Image of the White Movement in the Russian Feature Cinema at the Present Stage (1992–2016)

This article gives the way for hermeneutic analysis of the topic of the White movement in the mirror of the Russian cinema at the present stage (1992-2016). The hermeneutical analysis suggests media text comprehension through comparison with historical, cultural tradition and reality; penetration of...

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Main Author:	Alexander Fedorov
Format:	Article
Language:	Russian
Published:	Academic Publishing House Researcher 2016-04-01
Series:	Evropejskij Issledovatelʹ
Subjects:	White movement Russian cinema films hermeneutical analysis Russia film studies media texts media literacy
Online Access:	http://www.erjournal.ru/journals_n/1463574652.pdf

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spelling	doaj-4fe1288dd2024871b48d8771663915e32020-11-24T23:11:06ZrusAcademic Publishing House ResearcherEvropejskij Issledovatelʹ2219-82292224-01362016-04-01105421623010.13187/er.2016.105.216The Image of the White Movement in the Russian Feature Cinema at the Present Stage (1992–2016)Alexander Fedorov0Anton Chekhov Taganrog Institute, branch of Rostov State University of Economics, Russian FederationThis article gives the way for hermeneutic analysis of the topic of the White movement in the mirror of the Russian cinema at the present stage (1992-2016). The hermeneutical analysis suggests media text comprehension through comparison with historical, cultural tradition and reality; penetration of its logic; through comparison of media images in historical and cultural context by combining historical, hermeneutical analysis of the structural, plot, ethical, ideological, iconographic / visual, media stereotypes and analysis of media text characters. An analysis of this kind of media texts, in our opinion, is particularly important for media literacy education of future historians, culture and art historians, sociologists, psychologists and educators.Thus, the comparative analysis of plot schemes, characters, and ideology of the Russian feature films of 1992-2016, in varying degrees of affecting the subject of the White movement, leads to the conclusion about the essential similarity of their media stereotypes. Content analysis of screen media texts of 1992-2016 on the topic related to the White movement allows generally to submit their basic narrative schemes.http://www.erjournal.ru/journals_n/1463574652.pdfWhite movementRussian cinemafilmshermeneutical analysisRussiafilm studiesmedia textsmedia literacy
collection	DOAJ
language	Russian
format	Article
sources	DOAJ
author	Alexander Fedorov
spellingShingle	Alexander Fedorov The Image of the White Movement in the Russian Feature Cinema at the Present Stage (1992–2016) Evropejskij Issledovatelʹ White movement Russian cinema films hermeneutical analysis Russia film studies media texts media literacy
author_facet	Alexander Fedorov
author_sort	Alexander Fedorov
title	The Image of the White Movement in the Russian Feature Cinema at the Present Stage (1992–2016)
title_short	The Image of the White Movement in the Russian Feature Cinema at the Present Stage (1992–2016)
title_full	The Image of the White Movement in the Russian Feature Cinema at the Present Stage (1992–2016)
title_fullStr	The Image of the White Movement in the Russian Feature Cinema at the Present Stage (1992–2016)
title_full_unstemmed	The Image of the White Movement in the Russian Feature Cinema at the Present Stage (1992–2016)
title_sort	image of the white movement in the russian feature cinema at the present stage (1992–2016)
publisher	Academic Publishing House Researcher
series	Evropejskij Issledovatelʹ
issn	2219-8229 2224-0136
publishDate	2016-04-01
description	This article gives the way for hermeneutic analysis of the topic of the White movement in the mirror of the Russian cinema at the present stage (1992-2016). The hermeneutical analysis suggests media text comprehension through comparison with historical, cultural tradition and reality; penetration of its logic; through comparison of media images in historical and cultural context by combining historical, hermeneutical analysis of the structural, plot, ethical, ideological, iconographic / visual, media stereotypes and analysis of media text characters. An analysis of this kind of media texts, in our opinion, is particularly important for media literacy education of future historians, culture and art historians, sociologists, psychologists and educators.Thus, the comparative analysis of plot schemes, characters, and ideology of the Russian feature films of 1992-2016, in varying degrees of affecting the subject of the White movement, leads to the conclusion about the essential similarity of their media stereotypes. Content analysis of screen media texts of 1992-2016 on the topic related to the White movement allows generally to submit their basic narrative schemes.
topic	White movement Russian cinema films hermeneutical analysis Russia film studies media texts media literacy
url	http://www.erjournal.ru/journals_n/1463574652.pdf
work_keys_str_mv	AT alexanderfedorov theimageofthewhitemovementintherussianfeaturecinemaatthepresentstage19922016 AT alexanderfedorov imageofthewhitemovementintherussianfeaturecinemaatthepresentstage19922016
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The Image of the White Movement in the Russian Feature Cinema at the Present Stage (1992–2016)

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