Aspects of Villa-Lobos’s Tonal Style in Some of His Studies for Guitar
The goal of this paper is to shed new light on selected strategies that characterize the tonal style of the first nine studies of the set by means of examining Villa- Lobos’s treatment of tonality from a perspective that takes into account the role of large-scale structure. I focus on three broad to...
Main Author: | Gabriel Navia |
---|---|
Format: | Article |
Language: | English |
Published: |
Universidade Estadual do Paraná
2020-12-01
|
Series: | Revista Vortex |
Subjects: | |
Online Access: | http://periodicos.unespar.edu.br/index.php/vortex/article/view/3970 |
Similar Items
-
Tonal voice-leading in Schoenberg’s opus 15
by: McNab, Grace A. L.
Published: (2010) -
Overcoming the crisis of tonality: The resemantized tonality of modernism
by: Teparić Srđan
Published: (2016-01-01) -
Dualidade tonal no Prelúdio nº 5 para violão de Villa-Lobos
by: Guilherme Sauerbronn de Barros, et al.
Published: (2018-11-01) -
Syntactic Structures in Functional Tonality
by: Phelps, James, 1954-
Published: (1985) -
Piano in the intonation process of tonally unstable and non-tonal melodies in teaching Solfège
by: Vidicki Elizabeta
Published: (2015-01-01)