The Alemán’s brush and the reader’s eye. Narrative «grutesca» and emblematic painting in "Guzmán de Alfarache".

The Alemán’s brush and the reader’s eye. Narrative «grutesca» and emblematic painting in "Guzmán de Alfarache".

This work aims at showing the iconographical basics of fictional poetics of <em>Guzmán de Alfarache</em>. In light of the initial engraving and of the pictorial stories embedded in the work, we discover that Mateo Alemán often introduces the esthetic of devices and Mannerist paintings in...

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Bibliographic Details
Main Author: Pierre Darnis
Format: Article
Language:Catalan
Published: Universitat de Girona; Universitat Autònoma de Barcelona 2013-02-01
Series:Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro
Subjects:
mateo alemán, guzmán de alfarache, picaresca, poética, retórica, emblemas, empresas, pintura, anamorfosis
Online Access:https://studiaaurea.com/article/view/6
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spelling doaj-540baa6f50e3470799f89dbc4688883d2021-02-16T15:25:35ZcatUniversitat de Girona; Universitat Autònoma de BarcelonaStudia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro1988-10882013-02-016017920910.5565/rev/studiaaurea.638The Alemán’s brush and the reader’s eye. Narrative «grutesca» and emblematic painting in "Guzmán de Alfarache".Pierre Darnis0Universidad de Burdeos 3This work aims at showing the iconographical basics of fictional poetics of <em>Guzmán de Alfarache</em>. In light of the initial engraving and of the pictorial stories embedded in the work, we discover that Mateo Alemán often introduces the esthetic of devices and Mannerist paintings in his novel. By virtue of this double influence, the two Parts of Guzmán establish with their audience (especially with the «discreto lector») a relationship that might induces a kinetic approach which allows to connect the short stories with the overall «vida» of Guzmán.https://studiaaurea.com/article/view/6mateo alemán, guzmán de alfarache, picaresca, poética, retórica, emblemas, empresas, pintura, anamorfosis
collection DOAJ
language Catalan
format Article
sources DOAJ
author Pierre Darnis
spellingShingle Pierre Darnis
The Alemán’s brush and the reader’s eye. Narrative «grutesca» and emblematic painting in "Guzmán de Alfarache".
Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro
mateo alemán, guzmán de alfarache, picaresca, poética, retórica, emblemas, empresas, pintura, anamorfosis
author_facet Pierre Darnis
author_sort Pierre Darnis
title The Alemán’s brush and the reader’s eye. Narrative «grutesca» and emblematic painting in "Guzmán de Alfarache".
title_short The Alemán’s brush and the reader’s eye. Narrative «grutesca» and emblematic painting in "Guzmán de Alfarache".
title_full The Alemán’s brush and the reader’s eye. Narrative «grutesca» and emblematic painting in "Guzmán de Alfarache".
title_fullStr The Alemán’s brush and the reader’s eye. Narrative «grutesca» and emblematic painting in "Guzmán de Alfarache".
title_full_unstemmed The Alemán’s brush and the reader’s eye. Narrative «grutesca» and emblematic painting in "Guzmán de Alfarache".
title_sort alemán’s brush and the reader’s eye. narrative «grutesca» and emblematic painting in "guzmán de alfarache".
publisher Universitat de Girona; Universitat Autònoma de Barcelona
series Studia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro
issn 1988-1088
publishDate 2013-02-01
description This work aims at showing the iconographical basics of fictional poetics of <em>Guzmán de Alfarache</em>. In light of the initial engraving and of the pictorial stories embedded in the work, we discover that Mateo Alemán often introduces the esthetic of devices and Mannerist paintings in his novel. By virtue of this double influence, the two Parts of Guzmán establish with their audience (especially with the «discreto lector») a relationship that might induces a kinetic approach which allows to connect the short stories with the overall «vida» of Guzmán.
topic mateo alemán, guzmán de alfarache, picaresca, poética, retórica, emblemas, empresas, pintura, anamorfosis
url https://studiaaurea.com/article/view/6
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