The mask of eroticism in "Ode Marítima": ecstasy and geometry

This present work intends to make a reading of the "Maritime Ode" by Fernando Pessoa, signed by Álvaro de Campos, the Sensationalist Engineer. The essence of this heteronomous is looking at the world and man under an dialectical angle, in a place where each thing crosses, complete and vani...

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Main Authors: Aline Carla Dalmutt, Maria Natália Ferreira Gomes Thimóteo
Format: Article
Language:Portuguese
Published: Pontifícia Universidade Católica de São Paulo 2013-12-01
Series:FronteiraZ
Subjects:
Online Access:https://revistas.pucsp.br/index.php/fronteiraz/article/view/16301
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spelling doaj-5462a12e3f4c4328af167f1f8c7653d52020-11-24T23:22:18ZporPontifícia Universidade Católica de São PauloFronteiraZ1983-43732013-12-0101125627112472The mask of eroticism in "Ode Marítima": ecstasy and geometryAline Carla Dalmutt0Maria Natália Ferreira Gomes Thimóteo1Universidade Estadual de Maringá (UEM)Universidade Estadual do Centro-Oeste (UNICENTRO)This present work intends to make a reading of the "Maritime Ode" by Fernando Pessoa, signed by Álvaro de Campos, the Sensationalist Engineer. The essence of this heteronomous is looking at the world and man under an dialectical angle, in a place where each thing crosses, complete and vanishes under a look that is a "sexual perversion". In this ode, the look "feels everything in every way", and this implies working the sensations in all its ramifications, stressing at this point eroticism in a masked speech, multiplier of sadomasochistic sensation, in a unsuccessful narrative which escapes the metaphysical anguish and from life "sitting, ruled and revised." The euphoria / dysphoria of Campos of the "Odes" is fictitious, more a mask, "pure mirage."https://revistas.pucsp.br/index.php/fronteiraz/article/view/16301Fernando PessoaÁlvaro de CamposSensacionismoErotismo
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Aline Carla Dalmutt
Maria Natália Ferreira Gomes Thimóteo
spellingShingle Aline Carla Dalmutt
Maria Natália Ferreira Gomes Thimóteo
The mask of eroticism in "Ode Marítima": ecstasy and geometry
FronteiraZ
Fernando Pessoa
Álvaro de Campos
Sensacionismo
Erotismo
author_facet Aline Carla Dalmutt
Maria Natália Ferreira Gomes Thimóteo
author_sort Aline Carla Dalmutt
title The mask of eroticism in "Ode Marítima": ecstasy and geometry
title_short The mask of eroticism in "Ode Marítima": ecstasy and geometry
title_full The mask of eroticism in "Ode Marítima": ecstasy and geometry
title_fullStr The mask of eroticism in "Ode Marítima": ecstasy and geometry
title_full_unstemmed The mask of eroticism in "Ode Marítima": ecstasy and geometry
title_sort mask of eroticism in "ode marítima": ecstasy and geometry
publisher Pontifícia Universidade Católica de São Paulo
series FronteiraZ
issn 1983-4373
publishDate 2013-12-01
description This present work intends to make a reading of the "Maritime Ode" by Fernando Pessoa, signed by Álvaro de Campos, the Sensationalist Engineer. The essence of this heteronomous is looking at the world and man under an dialectical angle, in a place where each thing crosses, complete and vanishes under a look that is a "sexual perversion". In this ode, the look "feels everything in every way", and this implies working the sensations in all its ramifications, stressing at this point eroticism in a masked speech, multiplier of sadomasochistic sensation, in a unsuccessful narrative which escapes the metaphysical anguish and from life "sitting, ruled and revised." The euphoria / dysphoria of Campos of the "Odes" is fictitious, more a mask, "pure mirage."
topic Fernando Pessoa
Álvaro de Campos
Sensacionismo
Erotismo
url https://revistas.pucsp.br/index.php/fronteiraz/article/view/16301
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