Relating our selves: Shifting frames of identity in storytelling with communities marginalised through sexuality and gender

Recording the lives of people in marginalised communities can be enhanced through the use of a range of participatory methods, relating our selves in ways that go beyond traditional interviews and oral history. Innovative artistic methodologies may catch and render contingent identities, our fluid a...

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Main Author: James Valentine
Format: Article
Language:English
Published: SAGE Publishing 2016-02-01
Series:Methodological Innovations
Online Access:https://doi.org/10.1177/2059799115625795
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spelling doaj-5532fb350a624794837185800f1647952020-11-25T03:39:56ZengSAGE PublishingMethodological Innovations2059-79912016-02-01910.1177/2059799115625795Relating our selves: Shifting frames of identity in storytelling with communities marginalised through sexuality and genderJames ValentineRecording the lives of people in marginalised communities can be enhanced through the use of a range of participatory methods, relating our selves in ways that go beyond traditional interviews and oral history. Innovative artistic methodologies may catch and render contingent identities, our fluid and variously bounded selves, which are dependent on context, performance and narrative. This article reviews a community-led storytelling project that has generated reflexive narratives and a variety of storytelling methods by and for people marginalised by sexuality and gender. Queer Stories, undertaken by OurStory Scotland, became the world’s first project to focus on multi-media storytelling with a nationwide lesbian, gay, bisexual and transgender community for public representation and national museum archiving. The aesthetic extension of narrative methods, through performance, fiction and display, reaches new publics and enables narrow identifications, fixed in dominant representations, to be challenged: stereotypes can be subverted and boundaries of identification undermined through the recognition of shifting frames of identity. Storytelling, through aesthetic distance, mutual identification and inclusive community ethics, fosters awareness of the contingency of all identity.https://doi.org/10.1177/2059799115625795
collection DOAJ
language English
format Article
sources DOAJ
author James Valentine
spellingShingle James Valentine
Relating our selves: Shifting frames of identity in storytelling with communities marginalised through sexuality and gender
Methodological Innovations
author_facet James Valentine
author_sort James Valentine
title Relating our selves: Shifting frames of identity in storytelling with communities marginalised through sexuality and gender
title_short Relating our selves: Shifting frames of identity in storytelling with communities marginalised through sexuality and gender
title_full Relating our selves: Shifting frames of identity in storytelling with communities marginalised through sexuality and gender
title_fullStr Relating our selves: Shifting frames of identity in storytelling with communities marginalised through sexuality and gender
title_full_unstemmed Relating our selves: Shifting frames of identity in storytelling with communities marginalised through sexuality and gender
title_sort relating our selves: shifting frames of identity in storytelling with communities marginalised through sexuality and gender
publisher SAGE Publishing
series Methodological Innovations
issn 2059-7991
publishDate 2016-02-01
description Recording the lives of people in marginalised communities can be enhanced through the use of a range of participatory methods, relating our selves in ways that go beyond traditional interviews and oral history. Innovative artistic methodologies may catch and render contingent identities, our fluid and variously bounded selves, which are dependent on context, performance and narrative. This article reviews a community-led storytelling project that has generated reflexive narratives and a variety of storytelling methods by and for people marginalised by sexuality and gender. Queer Stories, undertaken by OurStory Scotland, became the world’s first project to focus on multi-media storytelling with a nationwide lesbian, gay, bisexual and transgender community for public representation and national museum archiving. The aesthetic extension of narrative methods, through performance, fiction and display, reaches new publics and enables narrow identifications, fixed in dominant representations, to be challenged: stereotypes can be subverted and boundaries of identification undermined through the recognition of shifting frames of identity. Storytelling, through aesthetic distance, mutual identification and inclusive community ethics, fosters awareness of the contingency of all identity.
url https://doi.org/10.1177/2059799115625795
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