Theme “Man and Nature” in the Poetry of Peter Komarov

The author’s elaboration of the content and poetics of landscape and natural history lyrics of the Far Eastern poet, winner of the Stalin Prize of the third degree P. S. Komarov (1911—1949) is presented. The novelty of the research lies in the fact that the poet’s work has practically not been studi...

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Main Author: О. N. Alexandrova-Osokina
Format: Article
Language:Russian
Published: Tsentr nauchnykh i obrazovatelnykh proektov 2021-01-01
Series:Научный диалог
Subjects:
Online Access:https://www.nauka-dialog.ru/jour/article/view/2297
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spelling doaj-5575272608024fd68e2543d4c18ac3e72021-09-30T08:36:43ZrusTsentr nauchnykh i obrazovatelnykh proektovНаучный диалог2225-756X2227-12952021-01-01019610910.24224/2227-1295-2021-1-96-1091765Theme “Man and Nature” in the Poetry of Peter KomarovО. N. Alexandrova-Osokina0Pacific National UniversityThe author’s elaboration of the content and poetics of landscape and natural history lyrics of the Far Eastern poet, winner of the Stalin Prize of the third degree P. S. Komarov (1911—1949) is presented. The novelty of the research lies in the fact that the poet’s work has practically not been studied. The relevance of the study is due to the attention of modern literary criticism to the problems of the literary process of the Soviet period, as well as interest in literary and regional studies. The idea is substantiated that the theme “man and nature” was central in the poetry of P. S. Komarov. It is noted that the dominant principle in the disclosure of this topic were the ideas of all-unity and participation. The question is raised about the nature of the reflection of the ideas of the era in the lyrics: in particular, the points of intersection of the poetic perception of the world in the poems of the “Green Belt” cycle with the ideas of Russian cosmism are revealed. Observations on the specifics of the poetics of Komarov’s landscape lyrics were carried out: the form of the landscape-ecphrasis, the artistic functions of the landscape detail, color painting, toponymy, panoramic image were revealed; some images-motives (nature-garden, nature-book; motive of the brotherhood of the memory of the earth) is revealed. The unique materials of literary criticism of the second half of the 1940s, associated with the assessment of Komarov’s work are presented in the article.https://www.nauka-dialog.ru/jour/article/view/2297komarov peter stepanovichliterary regional studiesgeopoeticslandscape and natural history lyricsekphrasis landscape
collection DOAJ
language Russian
format Article
sources DOAJ
author О. N. Alexandrova-Osokina
spellingShingle О. N. Alexandrova-Osokina
Theme “Man and Nature” in the Poetry of Peter Komarov
Научный диалог
komarov peter stepanovich
literary regional studies
geopoetics
landscape and natural history lyrics
ekphrasis landscape
author_facet О. N. Alexandrova-Osokina
author_sort О. N. Alexandrova-Osokina
title Theme “Man and Nature” in the Poetry of Peter Komarov
title_short Theme “Man and Nature” in the Poetry of Peter Komarov
title_full Theme “Man and Nature” in the Poetry of Peter Komarov
title_fullStr Theme “Man and Nature” in the Poetry of Peter Komarov
title_full_unstemmed Theme “Man and Nature” in the Poetry of Peter Komarov
title_sort theme “man and nature” in the poetry of peter komarov
publisher Tsentr nauchnykh i obrazovatelnykh proektov
series Научный диалог
issn 2225-756X
2227-1295
publishDate 2021-01-01
description The author’s elaboration of the content and poetics of landscape and natural history lyrics of the Far Eastern poet, winner of the Stalin Prize of the third degree P. S. Komarov (1911—1949) is presented. The novelty of the research lies in the fact that the poet’s work has practically not been studied. The relevance of the study is due to the attention of modern literary criticism to the problems of the literary process of the Soviet period, as well as interest in literary and regional studies. The idea is substantiated that the theme “man and nature” was central in the poetry of P. S. Komarov. It is noted that the dominant principle in the disclosure of this topic were the ideas of all-unity and participation. The question is raised about the nature of the reflection of the ideas of the era in the lyrics: in particular, the points of intersection of the poetic perception of the world in the poems of the “Green Belt” cycle with the ideas of Russian cosmism are revealed. Observations on the specifics of the poetics of Komarov’s landscape lyrics were carried out: the form of the landscape-ecphrasis, the artistic functions of the landscape detail, color painting, toponymy, panoramic image were revealed; some images-motives (nature-garden, nature-book; motive of the brotherhood of the memory of the earth) is revealed. The unique materials of literary criticism of the second half of the 1940s, associated with the assessment of Komarov’s work are presented in the article.
topic komarov peter stepanovich
literary regional studies
geopoetics
landscape and natural history lyrics
ekphrasis landscape
url https://www.nauka-dialog.ru/jour/article/view/2297
work_keys_str_mv AT onalexandrovaosokina thememanandnatureinthepoetryofpeterkomarov
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