White Power music and the mobilization of racist social movements

At the end of the 1970s a racist rock music movement known as White Power music emerged in Great Britain in connection with political parties of the extreme right and remains a vibrant force in racist social movements today. Throughout the 1990s, White Power music expanded significantly from its ori...

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Bibliographic Details
Main Authors: Bob Edwards, Ugo Corte
Format: Article
Language:English
Published: University of Exeter 2008-01-01
Series:Music and Arts in Action
Subjects:
Online Access:http://www.musicandartsinaction.net/index.php/maia/article/view/whitepowermusic/9
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spelling doaj-55de9be3a24b4cba9466a48b4fa8467e2020-11-25T00:05:00ZengUniversity of ExeterMusic and Arts in Action1754-71052008-01-0111420White Power music and the mobilization of racist social movementsBob EdwardsUgo CorteAt the end of the 1970s a racist rock music movement known as White Power music emerged in Great Britain in connection with political parties of the extreme right and remains a vibrant force in racist social movements today. Throughout the 1990s, White Power music expanded significantly from its origins in a clandestine network of punk-inspired live shows and record promotions into a multi-million dollar, international enterprise of web-pages, radio stations and independent record labels promoting White Power musicians performing a wider range of musical genres. In this article, we view White Power music as a cultural resource created and produced by racist movements and used as a tool to further key movement goals. Specifically, we examine White Power music’s role when used to 1) recruit new adherents, especially youth, 2) frame issues and ideology to cultivate a White Power collective identity, and 3) obtain financial resources. In doing so we rely upon in-depth interviews with White Power musicians and promoters as well as representatives of watchdog and monitoring organizations. Interviews were conducted by the lead author from 2002-2004 or accessed through transcripts of similar interviews made available by another researcher. This research also relies upon an extensive examination of White Power music, lyrics, newsletters and websites. We conclude that White Power music continues to play a significant role in the mobilization of racist political and social movements by drawing in new youth, cultivating a racist collective identity, and generating substantial sums of money to finance a range of racist endeavours.http://www.musicandartsinaction.net/index.php/maia/article/view/whitepowermusic/9White Power musicright-wing social movementsresource mobilizationyouth recruitmentcollective identityissue framingracism
collection DOAJ
language English
format Article
sources DOAJ
author Bob Edwards
Ugo Corte
spellingShingle Bob Edwards
Ugo Corte
White Power music and the mobilization of racist social movements
Music and Arts in Action
White Power music
right-wing social movements
resource mobilization
youth recruitment
collective identity
issue framing
racism
author_facet Bob Edwards
Ugo Corte
author_sort Bob Edwards
title White Power music and the mobilization of racist social movements
title_short White Power music and the mobilization of racist social movements
title_full White Power music and the mobilization of racist social movements
title_fullStr White Power music and the mobilization of racist social movements
title_full_unstemmed White Power music and the mobilization of racist social movements
title_sort white power music and the mobilization of racist social movements
publisher University of Exeter
series Music and Arts in Action
issn 1754-7105
publishDate 2008-01-01
description At the end of the 1970s a racist rock music movement known as White Power music emerged in Great Britain in connection with political parties of the extreme right and remains a vibrant force in racist social movements today. Throughout the 1990s, White Power music expanded significantly from its origins in a clandestine network of punk-inspired live shows and record promotions into a multi-million dollar, international enterprise of web-pages, radio stations and independent record labels promoting White Power musicians performing a wider range of musical genres. In this article, we view White Power music as a cultural resource created and produced by racist movements and used as a tool to further key movement goals. Specifically, we examine White Power music’s role when used to 1) recruit new adherents, especially youth, 2) frame issues and ideology to cultivate a White Power collective identity, and 3) obtain financial resources. In doing so we rely upon in-depth interviews with White Power musicians and promoters as well as representatives of watchdog and monitoring organizations. Interviews were conducted by the lead author from 2002-2004 or accessed through transcripts of similar interviews made available by another researcher. This research also relies upon an extensive examination of White Power music, lyrics, newsletters and websites. We conclude that White Power music continues to play a significant role in the mobilization of racist political and social movements by drawing in new youth, cultivating a racist collective identity, and generating substantial sums of money to finance a range of racist endeavours.
topic White Power music
right-wing social movements
resource mobilization
youth recruitment
collective identity
issue framing
racism
url http://www.musicandartsinaction.net/index.php/maia/article/view/whitepowermusic/9
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