Examining portrayals of female protagonists by female screenwriters using feminist critical discourse analysis.

This study explores the portrayals of female protagonists by female screenwriters through feminist critical discourse analysis. Specifically, this study examines the female protagonists in the four Academy-Award winning films Thelma & Louise, The Piano, Lost in Translation, and Juno. By analyzin...

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Main Author: Shapiro, B.
Format: Article
Language:English
Published: Royal St. George's College 2017-07-01
Series:The Young Researcher
Subjects:
Online Access:http://www.theyoungresearcher.com/papers/shapiro.pdf
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spelling doaj-572d877a939b46a1b613e1219102a5d32020-11-24T23:19:49ZengRoyal St. George's College The Young Researcher2560-98232560-98232017-07-01113747 Examining portrayals of female protagonists by female screenwriters using feminist critical discourse analysis. Shapiro, B.This study explores the portrayals of female protagonists by female screenwriters through feminist critical discourse analysis. Specifically, this study examines the female protagonists in the four Academy-Award winning films Thelma & Louise, The Piano, Lost in Translation, and Juno. By analyzing the roles and behavior of the female protagonists in these four films, I reveal how these female protagonists each experience the Heroine’s Journey, where they transcend their gender constraints and become more independent and empowered. These portrayals by female screenwriters are vital to the off-screen sector of the film industry because of the Social Cognitive Theory of Gender Development and Differentiation, which states that human beings gain knowledge from the messages communicated to them by the media. Therefore, I conclude that the existing gap between female and male screenwriters must be closed to counter the reinforcement of gender roles and stereotypes, as well as ensure that women are inspired, not discouraged, by what they see on screen. http://www.theyoungresearcher.com/papers/shapiro.pdffeminist critical discourse analysisfeminist lm analysisfemale screenwritersmale gazeHeroine’s Journeyfemale protagonists
collection DOAJ
language English
format Article
sources DOAJ
author Shapiro, B.
spellingShingle Shapiro, B.
Examining portrayals of female protagonists by female screenwriters using feminist critical discourse analysis.
The Young Researcher
feminist critical discourse analysis
feminist lm analysis
female screenwriters
male gaze
Heroine’s Journey
female protagonists
author_facet Shapiro, B.
author_sort Shapiro, B.
title Examining portrayals of female protagonists by female screenwriters using feminist critical discourse analysis.
title_short Examining portrayals of female protagonists by female screenwriters using feminist critical discourse analysis.
title_full Examining portrayals of female protagonists by female screenwriters using feminist critical discourse analysis.
title_fullStr Examining portrayals of female protagonists by female screenwriters using feminist critical discourse analysis.
title_full_unstemmed Examining portrayals of female protagonists by female screenwriters using feminist critical discourse analysis.
title_sort examining portrayals of female protagonists by female screenwriters using feminist critical discourse analysis.
publisher Royal St. George's College
series The Young Researcher
issn 2560-9823
2560-9823
publishDate 2017-07-01
description This study explores the portrayals of female protagonists by female screenwriters through feminist critical discourse analysis. Specifically, this study examines the female protagonists in the four Academy-Award winning films Thelma & Louise, The Piano, Lost in Translation, and Juno. By analyzing the roles and behavior of the female protagonists in these four films, I reveal how these female protagonists each experience the Heroine’s Journey, where they transcend their gender constraints and become more independent and empowered. These portrayals by female screenwriters are vital to the off-screen sector of the film industry because of the Social Cognitive Theory of Gender Development and Differentiation, which states that human beings gain knowledge from the messages communicated to them by the media. Therefore, I conclude that the existing gap between female and male screenwriters must be closed to counter the reinforcement of gender roles and stereotypes, as well as ensure that women are inspired, not discouraged, by what they see on screen.
topic feminist critical discourse analysis
feminist lm analysis
female screenwriters
male gaze
Heroine’s Journey
female protagonists
url http://www.theyoungresearcher.com/papers/shapiro.pdf
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