Crime Fiction: A Global Phenomenon

Crime fiction, if you choose to classify it in its broadest sense, has a very long history. Detectives can be found in ancient texts from around the world. One of the things these texts reveal is a common global desire for justice to be done, and to be seen to be done. Often serving as political and...

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Main Author: Bill Phillips
Format: Article
Language:English
Published: The International Academic Forum 2016-11-01
Series:IAFOR Journal of Literature & Librarianship
Subjects:
Online Access:https://iafor.org/journal/iafor-journal-of-literature-and-librarianship/volume-5-issue-1/article-1/
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spelling doaj-57a3d965a9844fbaa19659e31d9339d42020-11-24T20:43:51ZengThe International Academic ForumIAFOR Journal of Literature & Librarianship2187-06082187-06082016-11-015151510.22492/ijl.5.1.01Crime Fiction: A Global PhenomenonBill Phillips0Universitat de Barcelona, SpainCrime fiction, if you choose to classify it in its broadest sense, has a very long history. Detectives can be found in ancient texts from around the world. One of the things these texts reveal is a common global desire for justice to be done, and to be seen to be done. Often serving as political and/or religious propaganda, they provide assurance that the authorities are protecting their people from wrongdoers and injustice. Edgar Allen Poe’s short story “The Murders in the Rue Morgue”, published in 1841, is often held to be the first detective story, and Poe’s cerebral hero, Auguste Dupin, provided the model for later literary sleuths such as Sherlock Holmes and Hercule Poirot, all three of whom collaborate on a regular basis with the police. Ironically, however, Poe’s model represents a significant change in direction with regard to earlier crime/detective fiction. No longer concerned with justice, or a just society, Dupin, Holmes and Poirot are concerned solely with the solving of a puzzle to the satisfaction of their own egos. Rarely, if ever, are the social causes behind the crimes they investigate revealed. While it is true the stories are comforting in their conservatism, change is resolutely avoided. By the nineteen-seventies, detective writers began to deconstruct the traditional English golden age and American hard-boiled crime genre and were returning it to its former concerns. Around the world crime writers are now using the genre as a means to explore themes such as discrimination, corruption, inequality, poverty and injustice. The crime novel, and especially the postcolonial crime novel, is the social novel of our day.https://iafor.org/journal/iafor-journal-of-literature-and-librarianship/volume-5-issue-1/article-1/crime fictionpostcolonial studiessocial novel
collection DOAJ
language English
format Article
sources DOAJ
author Bill Phillips
spellingShingle Bill Phillips
Crime Fiction: A Global Phenomenon
IAFOR Journal of Literature & Librarianship
crime fiction
postcolonial studies
social novel
author_facet Bill Phillips
author_sort Bill Phillips
title Crime Fiction: A Global Phenomenon
title_short Crime Fiction: A Global Phenomenon
title_full Crime Fiction: A Global Phenomenon
title_fullStr Crime Fiction: A Global Phenomenon
title_full_unstemmed Crime Fiction: A Global Phenomenon
title_sort crime fiction: a global phenomenon
publisher The International Academic Forum
series IAFOR Journal of Literature & Librarianship
issn 2187-0608
2187-0608
publishDate 2016-11-01
description Crime fiction, if you choose to classify it in its broadest sense, has a very long history. Detectives can be found in ancient texts from around the world. One of the things these texts reveal is a common global desire for justice to be done, and to be seen to be done. Often serving as political and/or religious propaganda, they provide assurance that the authorities are protecting their people from wrongdoers and injustice. Edgar Allen Poe’s short story “The Murders in the Rue Morgue”, published in 1841, is often held to be the first detective story, and Poe’s cerebral hero, Auguste Dupin, provided the model for later literary sleuths such as Sherlock Holmes and Hercule Poirot, all three of whom collaborate on a regular basis with the police. Ironically, however, Poe’s model represents a significant change in direction with regard to earlier crime/detective fiction. No longer concerned with justice, or a just society, Dupin, Holmes and Poirot are concerned solely with the solving of a puzzle to the satisfaction of their own egos. Rarely, if ever, are the social causes behind the crimes they investigate revealed. While it is true the stories are comforting in their conservatism, change is resolutely avoided. By the nineteen-seventies, detective writers began to deconstruct the traditional English golden age and American hard-boiled crime genre and were returning it to its former concerns. Around the world crime writers are now using the genre as a means to explore themes such as discrimination, corruption, inequality, poverty and injustice. The crime novel, and especially the postcolonial crime novel, is the social novel of our day.
topic crime fiction
postcolonial studies
social novel
url https://iafor.org/journal/iafor-journal-of-literature-and-librarianship/volume-5-issue-1/article-1/
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