The spectator without a subject. Hazards and cracks in the society of the spectacle.

<p>The article takes the notion of society of the spectacle, given by Debord and interrogated abouttheir political functionality, particularly at the prospect that the art is an emancipating or liberatingexperience, that allows to put in check the spectacle as aesthetic form. For this, assumes...

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Main Author: Paula Poblete Vargas
Format: Article
Language:Spanish
Published: CENALTES 2011-10-01
Series:HYBRIS: Revista de Filosofía
Subjects:
Online Access:http://localhost/revistas/index.php/hybris/article/view/28
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spelling doaj-57b5e1d90ade454593c5beabf063919e2020-11-25T03:37:36ZspaCENALTESHYBRIS: Revista de Filosofía0718-83822011-10-0123213128The spectator without a subject. Hazards and cracks in the society of the spectacle.Paula Poblete Vargas0Universidad Complutense de Madrid<p>The article takes the notion of society of the spectacle, given by Debord and interrogated abouttheir political functionality, particularly at the prospect that the art is an emancipating or liberatingexperience, that allows to put in check the spectacle as aesthetic form. For this, assumes the idea ofspectacle in dialogue critical with the perspective proposed by Rancière and Jauss. Firstly, as regards thereleasing ability of aesthetic experience, and secondly, with regard to the possibilities of the spectator, asemancipated spectator.</p>http://localhost/revistas/index.php/hybris/article/view/28Experiencia sensibleimágenesrepresentaciónDebordespectáculoespectador
collection DOAJ
language Spanish
format Article
sources DOAJ
author Paula Poblete Vargas
spellingShingle Paula Poblete Vargas
The spectator without a subject. Hazards and cracks in the society of the spectacle.
HYBRIS: Revista de Filosofía
Experiencia sensible
imágenes
representación
Debord
espectáculo
espectador
author_facet Paula Poblete Vargas
author_sort Paula Poblete Vargas
title The spectator without a subject. Hazards and cracks in the society of the spectacle.
title_short The spectator without a subject. Hazards and cracks in the society of the spectacle.
title_full The spectator without a subject. Hazards and cracks in the society of the spectacle.
title_fullStr The spectator without a subject. Hazards and cracks in the society of the spectacle.
title_full_unstemmed The spectator without a subject. Hazards and cracks in the society of the spectacle.
title_sort spectator without a subject. hazards and cracks in the society of the spectacle.
publisher CENALTES
series HYBRIS: Revista de Filosofía
issn 0718-8382
publishDate 2011-10-01
description <p>The article takes the notion of society of the spectacle, given by Debord and interrogated abouttheir political functionality, particularly at the prospect that the art is an emancipating or liberatingexperience, that allows to put in check the spectacle as aesthetic form. For this, assumes the idea ofspectacle in dialogue critical with the perspective proposed by Rancière and Jauss. Firstly, as regards thereleasing ability of aesthetic experience, and secondly, with regard to the possibilities of the spectator, asemancipated spectator.</p>
topic Experiencia sensible
imágenes
representación
Debord
espectáculo
espectador
url http://localhost/revistas/index.php/hybris/article/view/28
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