Ghosts of the City: A Spectrology of Cinematic Spaces
This paper investigates how, in early cinema, in-between spaces were created that were receptive to scenes of haunting. Adopting Derrida’s notions of a hauntology and a spectrology it argues for a genuine productivity of cinematic space that is able to build ghostly environments without incorporatin...
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Online Access: | http://scholarworks.umass.edu/cpo/vol4/iss1/9 |
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doaj-5898a38cad024db9923a57e8d255a2df2020-11-24T23:33:51ZengScholarWorks @ UMass Amherstcommunication +12380-61092015-09-01411910.7275/R5VM496FGhosts of the City: A Spectrology of Cinematic SpacesPetra LöfflerThis paper investigates how, in early cinema, in-between spaces were created that were receptive to scenes of haunting. Adopting Derrida’s notions of a hauntology and a spectrology it argues for a genuine productivity of cinematic space that is able to build ghostly environments without incorporating an actual specter. This productivity is described as ‘making appear’ and ‘making act’. Furthermore, the paper explains how, in the era of silent cinema, cinematic techniques were used to create scenes of haunting.http://scholarworks.umass.edu/cpo/vol4/iss1/9Arts and HumanitiesFilm and Media StudiesEarly CinemaCinematic SpaceHauntologyEnvironmentSpecter |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Petra Löffler |
spellingShingle |
Petra Löffler Ghosts of the City: A Spectrology of Cinematic Spaces communication +1 Arts and Humanities Film and Media Studies Early Cinema Cinematic Space Hauntology Environment Specter |
author_facet |
Petra Löffler |
author_sort |
Petra Löffler |
title |
Ghosts of the City: A Spectrology of Cinematic Spaces |
title_short |
Ghosts of the City: A Spectrology of Cinematic Spaces |
title_full |
Ghosts of the City: A Spectrology of Cinematic Spaces |
title_fullStr |
Ghosts of the City: A Spectrology of Cinematic Spaces |
title_full_unstemmed |
Ghosts of the City: A Spectrology of Cinematic Spaces |
title_sort |
ghosts of the city: a spectrology of cinematic spaces |
publisher |
ScholarWorks @ UMass Amherst |
series |
communication +1 |
issn |
2380-6109 |
publishDate |
2015-09-01 |
description |
This paper investigates how, in early cinema, in-between spaces were created that were receptive to scenes of haunting. Adopting Derrida’s notions of a hauntology and a spectrology it argues for a genuine productivity of cinematic space that is able to build ghostly environments without incorporating an actual specter. This productivity is described as ‘making appear’ and ‘making act’. Furthermore, the paper explains how, in the era of silent cinema, cinematic techniques were used to create scenes of haunting. |
topic |
Arts and Humanities Film and Media Studies Early Cinema Cinematic Space Hauntology Environment Specter |
url |
http://scholarworks.umass.edu/cpo/vol4/iss1/9 |
work_keys_str_mv |
AT petraloffler ghostsofthecityaspectrologyofcinematicspaces |
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